Frank D. Dandridge Photography

George Platt Lynes 1948 Photograph #1 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

This print is signed in pencil on the front of the mount and stamped on the back of the mount. Despite Morley Baer’s adherence to the West Coast landscape tradition, his interests i...

This silver gelatin print is signed and editioned "21/100" in pencil on the front of the mount with Baer's stamp on the back of the mount. This print is accompanied by its original b...

This early contact print is signed in pencil on the front of the mount with the artist's stamp on the back of the mount. One of Morley Baer’s greatest seascapes, this image was taken...

This silver gelatin print is signed in pencil on the front of the mount with stamp, title and numbering on the back of the mount.

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

This silver gelatin print is signed in pencil on the front of the mount. Post-BMFA 11 studio stamp with title in ink on the front of the mount. An inscription by Adams' assistant "Pr...

This silver gelatin print is signed and dated in pencil on the front of the mount. Titled, dated and numbered "#7" in pencil on the back of the mount.

This vintage silver gelatin print is signed and dated in pencil on the front of the mount, with title and negative number in pencil on the back of the mount. Printed c. 1940.

This vintage silver gelatin enlargement was originally purchased in the early 1960s by one of Minor White's students at RIT, and is one of two known prints of this image. The print h...

This silver gelatin print is signed in pencil on the front of the mount. Titled pencil and stamped on the back of the mount. Printed in 1987.