Frank Mason Paintings

Carl Flodman (1863-1888) Swede A Harbor Scene from 1884 oil on wood panel signed and dated C.Flodman 84 unframed: 13 x 21 cm (5 1/8 x 8 1/4 in) framed: 29 x 37.5 cm (11 3/8 x 14 3/...

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Attributed to Emmanuel Costa (French, 1833-1921) Untitled, c. Late 19th century Oil on wood panel 9 1/2 x 13 1/4 in. Framed: 14 x 18 x 1 1/4 in. Signed lower right: Costa Emmanuel B...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood frame. Ready to Hang. Medium : Oil painting on Linen Canvas mounted on wood panel (Board Canvas) Ar...

Tranquil figurative portrait of a seated nude woman with brown hair and brown eyes by an unknown San Francisco bay area artist (American, 20th Century). Unsigned. Unframed.

Provenance: Dr. James Henry Lancashire, Manchester-by-the-Sea, Massachusetts, by 1925; probably by descent to: Private Collection, Cumberland Foreside, Maine, until 2018 This unpublished panel is a characteristic work of the Master of the Apollo and Daphne Legend, an anonymous Florentine painter in the circle of Bartolommeo di Giovanni, Domenico Ghirlandaio, and Sandro Botticelli. The artistic personality of the Master of the Apollo and Daphne Legend was independently recognized by Everett Fahy and Federico Zeri at roughly the same moment in time. Fahy originally dubbed this artist the Master of the Ryerson Panels but later adopted Zeri’s name for the artist, which derives from his eponymous works from the Samuel H. Kress collection (Figs. 1-2). Fahy posited that the artist was most likely a pupil of Ghirlandaio active from roughly 1480 to 1510, and that he may be identifiable with one of Ghirlandaio’s documented pupils to whom no works have been securely attributed, such as Niccolò Cieco, Jacopo dell’Indaco, or Baldino Baldinetti. The present painting was first attributed to this master by Everett Fahy in 1989, who became aware of its existence only after publishing his definitive studies on the artist. The surviving body of work by the Master of the Apollo and Daphne Legend is largely composed of series of panels treating the same theme. In addition to the works illustrating the legend of Apollo and Daphne, there are also series on the themes of Susanna and the Elders and the story of Saint Joseph, among others. The subject of the present panel is drawn from Genesis 24, the story of Isaac. It is possible that our painting relates to another work by the artist depicting the Sacrifice of Isaac formerly in the collection of E. A. McGuire in Dublin, Ireland (Fig. 3), and that these two panels were originally part of a decorative scheme based on the story of Isaac. Although the Master’s paintings of this type have traditionally been considered painted fronts of wedding chests, known as cassoni, the scale of these paintings and the fact that they are often part of a series indicates that they are more likely spalliera panels—paintings set into furniture or the wainscoting of a room. The biblical episode depicted in this painting centers on the theme of marriage, which suggests that this work was likely commissioned for the domestic interior of a newly married couple. The Master has transcribed into paint even the minute details of this Old Testament story, in which Abraham sends a servant to travel by camel to the land of his father and seek out a wife for his son Isaac. The servant is here shown at the well...

"Challenging Conversation" by the talented artist Abdullateef Salaudeen is a compelling exploration of vulnerability, self-discovery, and the complexities of communication. The artwork features a young man in the act of pulling off his shirt, an action that transcends the physical realm and serves as a metaphor for the emotional layers being unveiled. Salaudeen's keen attention to detail is evident in the nuanced expression on the young man's face. The furrowed brow and intense gaze suggest a struggle, not only with the fabric of his shirt but also with internal conflicts and emotions. The artist masterfully captures the raw, unfiltered moments of personal challenge, inviting viewers to empathize with the subject's journey. The choice of title, "Challenging Conversation," adds depth to the narrative, suggesting that the act of removing the shirt symbolizes a dialogue within oneself—a confrontation with inner thoughts, doubts, or perhaps an attempt to shed societal expectations. The artist prompts viewers to contemplate the unseen narratives and untold stories that lie beneath the surface. Salaudeen's use of color and composition further enhances the emotional impact of the artwork. Subtle tones and careful shades of grey create a realistic yet painterly atmosphere, adding a layer of intimacy to the scene. The dynamic composition captures the transient nature of the moment, freezing the young man's struggle in time and inviting viewers to engage with the narrative at their own pace. "Challenging Conversation" resonates as a poignant exploration of the universal human experience, where moments of self-reflection and personal growth are often accompanied by internal dialogues that require courage and resilience. Abdullateef Salaudeen's work serves as a powerful reminder of the beauty found in vulnerability and the strength that emerges from confronting one's challenges. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues by the Gallery) About Artist Abdulateef Salaudeen...

Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917) Oil on panel Signed lower right "W. Baird" 12 1/4 x 9 inches A stunning example of William Baptiste...

Marie Yvonne Picard-Pangalos [French Title Illegible], 1930 Oil on wood panel 25 1/2 x 19 in. Signed, dated, and inscribed lower left Exhibition label verso According to the 1999 "...

"Ajala Travel" by Abdullateef Salaudeen is a captivating artwork that invites viewers into a world of wanderlust and exploration. The piece centers around a young man, adorned with a...

"Lift Off" is a stunning oil on canvas by Patsy McArthur, showing an underwater nude female swimmer surrounded by refreshing, cool turquoise green water. Scottish artist Patsy McArt...

Titled on the back, "Head of Small Girl". Painted in a impressionist style. Labeled on the back Eloise Waggoner 24 Wilmont Mews, West Chester, PA, 19380. ...