Frank Sherwin Paintings

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), which could pair well or make group sets if buyers so desired. Designed t...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Collections: With Martyn Gregory; Judy Egerton, 1984, acquired from the above; By descent to 2014. Exhibited: London, Martyn Gregory, Exhibition of English & Continental Watercolours, 1984, no. 94. London, Lowell Libson...

Antoine-Ignace MELLING (1763 Karlsruhe - 1831 Paris) View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon Watercolor and gouache H. 62.5 cm; W. 93.5 cm Sign...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Gouache on parchment attributed to Louis-Nicolas van Blarenberghe (Lille 1716 – Versailles 1794), depicting a cavalry battle unfolding across an open landscape, with a fortified cast...