Frank Xavier Leyendecker Art

Study for the cover of the November 15, 1912 issue of Vogue magazine A figural work depicting lovers figures, the recumbent male costumed as a masked Harlequin clown, the female sea...

Medium: Oil Mounted to Board Signature: Signed Lower Right Sight Size 21.00" x 17.00;" Framed 26.00" x 22.00" Titled The Burgrave's Farewell (along top under mat); Image size: 20 1/...

Medium: Oil on Board Signature: Signed Upper Right Illustration for "Da Strit Pianna" by Wallace Irwin, Collier's Magazine April 25th, 1905

Original Kuppenheimer Style Book Cover, Fall / Winter 1910-1911 edition For the Fall/Winter 1910-1911 Kuppenheimer Style Book, Francis Xavier Leyendecker crafted a captivating cov...

Medium: Oil on Canvas Signature: Signed Lower Right Magazine cover: Woman with hat boxes. Francis Xavier Leyendecker, like his older brother, Joseph, was a talented illustrator. Bo...

Study for an unidentified magazine cover. A figural work depicting one female and three male figures, the recumbent female seated in a palanquin litter chair, her male lover kissing...

Medium: Oil on Board Signature: Signed Lower Right Vogue magazine cover 3/15/13

Medium: Oil on Canvas Signature: Signed and Inscribed Lower Right Preliminary study for Interwoven Socks Advertisement

Approximate Date: Apr 23, 1903 Medium: Gouache on Board Signature: Signed Lower Right Dimensions: 22.50" x 15.50"

Howard Watch ad illustration. Born in Germany, Francis Xavier Leyendecker was very competent, but was always overshadowed by his older brother. Franc...

Medium: Oil on Canvas Signature: Signed Lower Right

Signed Lower Right by Artist Collier's Illustrated Weekly Cover, October 25, 1902

Story illustration for “Perdita’s Christmas” by Richard Le Gallienne for The Saturday Evening Post, published December 7, 1901, page 4. The narrater centers the story around Perdit...

Illustration for “The First Works” by Basil King as part of the series “The Everlasting Doors” for Cosmopolitan, published July 1920, pages 38-39. In his series “The Everlasting Doors,” Basil King delves into his belief that humanity underestimates its own psychic powers. King expresses a profound desire to rediscover the “lost laws of the universe,” believing these ancient principles could lead to remarkable advancements, including “the abolishing of Death and other wonders.” Enhancing the published text was Frank Leyenecker’s dramatic illustration, which framed and decorated the pages. Leyendecker presumably later added the poetic lines, “Relax and lay your head on my shoulder. Give me your hand and I will lead you on. We cannot make mistakes because the light is too strong to allow of anyone missing the way,” to fill in the white space, transforming the painting into a more complete and visually resonant artwork. Signature: Signed Lower Right: F X Leyendecker...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 17.00" x 15.50;" Framed 24.50" x 23.00" The Saturday Evening Post cover, June 22, 1912

Initially created as a submission piece for The Ladies’ World magazine when Frank was soliciting work, the final illustration was eventually realized as the cover for the 1909 Spring...

Signed Lower Right Frank Leyendecker (1877/78 - 1924) An American illustrator. He worked with his brother Joseph Christian Leyendecker, in their studio, first in Chicago,[1] then ...