Franz von Stuck Art

Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

Set of 2 antique stained oak picture frames in a wonderfully hand crafted shape. Vienna in the 1910s, these were the typical items to display on the wall to show portraits of your l...

Alfredo Orozco is an artist, painter and woodworker from Mexico City. In the 1970s, he moved to Los Angeles and created a series of geometric serigraphs. The prints were shown in gal...

An original British School Regency Period watercolor portrait, mounted in a Georgian Period fruitwood frame – Dated 1834. These watercolors were largely painted by young girls fro...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...

Vintage limited edition lithographic reproduction poster of "Marguerite Dufay" by 19th Century French artist Louis Anquestin (1861-1932). Published in 1968 by The Sunday Times (Lond...

Presenting a magnificent bronze equestrian sculpture titled "Amazon" by the renowned artist Erté, also known as Romain de Tirtoff. This exceptional piece, numbered 335 out of a limit...

Fée de Printemps (Spirit of Spring) by Mathurin Moreau (1822-1912) Signature and foundry stamped to base Marked "Exposition universelle de 1889" E. Colin & Cie, Paris foundry

Carriere, Eugene. Le Fondeur, Paris 1900 [Steel Worker], Color lithograph. Ref: Das Fruhe Plakat 134. 51 x 34 3/4 inches. Eugène Anatole Ca...

Great poster of the heavens. Original color. Good condition. Published by Alexander Gross Unframed.