Fratelli Reguitti Serving Tables

Italian desk by Gio Ponti attributed, 1950s. Dimensions: H= 78 cm; W= 180 cm; D= 85 cm.

This Italian midcentury teak table attributed to Paolo Buffa 1950, is an example of pure Italian design on the period. The round top is completely in rosewood with spectacular colour...

Game table with reversible top, one side with the green cloth for the game and a part with wood finish to be a normal dining room table. The Table is a famous work of the greatest It...

Table Material: Wood Style: Art Deco France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your dispo...

Pair of Coffee Table is an original design furniture item realized by Gio Ponti in the 1950s. Beautiful pair of wooden coffee tables with glass tops...

Italian modern Gio Ponti inspired table. Stunning Italian modern Gio Ponti inspired table. This shapely Italian table was executed in sycamore with...

D.555.1 Round Table by Gio Ponti - Exper-crafted in Italy exclusively by Molteni&C The sculptural D.555.1 round table is designed from archival drawings by renowned Italian archit...

Wonderful Italian wood trolley with glass and brass finishes. It has a removable serving tray with brass and chrome finishes. This 1950s production is attributed to Cesare Lacca, has wonderful rounded lines and materials plus amazing brass finishes This serving table will add a fresh accent wherever you place it and it will work in a natural, bohemian, midcentury or contemporary ambience. Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brasswork for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953—the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino, Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...

Italian 1930s mahogany table desk with geometric form legs with brass sabot feet and a single drawer with a stretcher (GIO PONTI - for the University of Padua)

Round coffee table realized in walnut wood with metal details, the tabletop presents an elegant circular decorative motif. Attribuited to Gio Ponti, Italian manufacturer from the 1950s Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...

A George II-period mahogany scalloped-top tripod table. Mid-18th century, circa 1740-1750. The carved, lobed-edge, one-piece top is supported on a birdcage, tapering fluted column, ...

Mid-Century Modern long dresser designed by Leo Jiranek for Bassett Furniture. Made for the Context Collection, featuring offsetting woods and tones. Warm, walnut grain with oak trim...