Frédéric Schmied Art

Portrait is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1938. Pencil, pastel and charcoal rawing on paper. Hand-signed and dated in pencil in Roman nu...

Collections: Commissioned by Andrew Corbett, husband of the sitter; The Venerable Stuart Corbett; Sir Stuart Corbett; By descent to 2002; Sotheby’s, London 21 March 2002, lot.104; Lowell Libson...

Woman With Red Poppies, 1905, by Philip Boileau (1863-1917) Pastel on paper 35 ½ × 22 ¾ inches unframed (90.17 x 57.785 cm) Signed, dated, and inscribed...

August Frederick Biehle (1885-1979) Houses in Zoar, c. 1921 Gouache, litho crayon, colored pencil and graphite on paper Signed lower right 14 x 19 inches 20.25 x 25.25 inches, framed...

Acrylic, watercolor, crayon on paper + frame Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involved...

Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and painted circa 1965. Born in Queens, New York, James Joseph DeMartis served with distinction in World War II and was decorated at the Battle of the Bulge. He subsequently attended painting classes at New York's Museum of Modern Art (1946-47) and, later, at the Art Students League of New York. He then enrolled at the California School of Fine Arts in Santa Monica, California until 1949, before leaving t study in Europe in 1950. He settled in Florence, Italy where he attended L’Accademia di Belle Arti di Firenze (1950-54). While continuing to study painting, he participated in several group and one-man shows in Italy and Switzerland. In 1956, DeMartis returned to New York at the height of the American Abstract Expressionist movement. He settled with his new family in Brooklyn and, after participating in a series of grass-roots galleries opened with fellow artists, he opened the Armory Gallery and studio in Manhattan. He also exhibited in other Manhattan galleries and at the National Arts Club. In 1961, De Martis was awarded the prestigious Emily Lowe Award for Painting. This led to to shows at the Ward Egglestone, ROKO, Pierantonio and Artemis West galleries from 1962-68. He then returned to Europe to participate in a group show in Florence. Upon his return, he opened the Brownstone Gallery in the Park Slope section of Brooklyn, where he exhibited his own and others’ works until 1988. James De Martis exhibited widely and with success including at one-man shows in Tokyo, Brooklyn, New York, Sarasota, Florida, San Francisco and Santa Fe. Select Exhibitions: 1953 Brodighera, Italy 1954 Galerie an der Reuss, Lucerne, Switzerland 1955 La Casa di Dante, Florence, Italy 1956 Walden School, New York, New York 1957 Bottega 57 Gallery, Brooklyn, New York 1960, 61 Hicks Street Gallery, Brooklyn New York 1960 Heights Casino, Brooklyn, New York 1961 Ward Eggleston Gallery, New York, New York 1962 Ray Gallery, Brooklyn New York 1962 Pietroantonio Gallery, New York, New York 1962,3,5,7 Armory Gallery, New York, New York 1965 Brooklyn Arts Gallery, Brooklyn, New York 1966,9 Brooklyn Heights Association 1967 Roko Gallery, New York, New York 1970,3,4,5,8,9,83 Brownstone Gallery, Brooklyn, New York 1972 Artemis East Gallery, New York, New York 1975 Brooklyn Museum, Brooklyn, New York 1977 Marcoleo Gallery, New York, New York 1978 Long Island University, Brooklyn, New York 1989,91,92 Gallery Gion Tokyo, Japan 1994 Private show, Sarasota, Florida 1995 Private show, San Francisco, California 1995 Private show, Copake, New York 1996 Washington and Jefferson College, Washington, Pennsylvania May, 2018 Retrospective show, Ashawagh Hall...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

Early 20th Century French pastel portrait of a military officer by Marie Laforge. The painting is signed dated and dedicated bottom right. The subject's name is written but as yet un...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

Pair of drawings on paper of a rabbit and a cat by Margaret Lisel. They are both signed bottom right and dated for 1934. The drawings are presented as a pair in plain gilt frames. A...

August Frederick Biehle (1885-1979) Farm Landscape, Zoar, c. 1923 Gouache, litho crayon and graphite on paper Signed lower right 14 x 19 inches 17 x 23 inches, framed A versatile pa...

Pastel on paper, oval 9 x 7 ¼ inches; 230 x 185 mm Inscribed on the verso: ‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’ Collections: Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797); Sir Hugh Crofton (1763-1834); By descent to 1990; Private collection, Dorset to 2020. Literature: Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74; Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247 This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...