Horse
By Frédéric Schmied
Located in Genève, GE
Work on paper
Mid-20th Century Frédéric Schmied Art
Crayon
Horse
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon
The Castel in Edinburgh
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon, Graphite
Portrait study
By Frédéric Schmied
Located in Genève, GE
Work on canvas
Oil
Colisée, Rome Crayon Drawing on Paper, Antique, 1950s, Unframed
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon
At the End of the World, Geneva
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon
Landscape on the banks of the Rhône
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon
View of the Môle and Mont-Blanc
By Frédéric Schmied
Located in Genève, GE
Work on paper Golden wooden frame with glass pane 68 x 82.5 x 2.5 cm
Crayon
Battle
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon
The Arve from Vessy, 1947 Switzerland, Modern Pencil Drawing, Framed
By Frédéric Schmied
Located in Genève, GE
Pencil on paper Signed and dated 1947. Inscribed on the reverse: “L'Arve depuis Vessy – Frédéric Schmied – 1947.” Brown wooden frame with glass panel - Dimension with frame 56 x 70 x 1.6 cm This finely executed pencil drawing on paper by Swiss artist Frédéric Schmied (1893–1972) depicts the Arve River seen from Vessy, in the countryside surrounding Geneva. Signed by the artist and dated 1947, the work is further identified by an inscription on the reverse: “L'Arve depuis Vessy – Frédéric Schmied – 1947.” From an elevated viewpoint, Schmied captures the broad curve of the Arve as it winds peacefully through a densely wooded landscape. Tall poplars punctuate the riverbanks, while successive layers of vegetation gradually dissolve into the distant hills and mountains. The carefully constructed perspective gives the composition a remarkable sense of depth and openness. Working exclusively through subtle variations of graphite, Schmied creates an exceptionally atmospheric landscape. The darker, more precisely rendered vegetation of the foreground contrasts with the increasingly delicate treatment of the distant landscape, producing an almost misty effect on the horizon. The luminous surface of the river forms the visual center of the composition and guides the eye toward the distance. Born in Zurich in 1893, Frédéric Schmied settled in Geneva and studied at the École des Beaux-Arts de Genève, where he was a pupil of sculptor James Vibert. Although particularly recognized for his sculpture, including figures, athletes and equestrian subjects, Schmied was also an accomplished draftsman whose works on paper reveal his sensitivity to landscape and his mastery of line and tonal modulation. Created in 1947, The Arve from Vessy is a refined example of mid-20th-century Swiss landscape drawing and an evocative historical view of the Geneva countryside. Signed and dated 1947. Inscribed on the reverse: “L'Arve depuis Vessy – Frédéric Schmied – 1947.” Swiss Modernism – Figurative Landscape – Mid-20th-Century Swiss School Frédéric Schmied, Frederic Schmied, The Arve from Vessy, L'Arve depuis Vessy, Arve River, Vessy Geneva, Geneva Landscape, Swiss Landscape, Swiss Landscape Drawing, Geneva Artist, Swiss Artist, Swiss Modernism, Swiss Modernist Art, Pencil Drawing, Graphite Drawing, Drawing on Paper, Signed Drawing, 1947 Drawing, 1940s Art, Mid Century Drawing, Mountain Landscape, River Landscape, River Drawing, Alpine Landscape, Geneva Countryside, Swiss Countryside, Vintage Swiss Art...
Pencil, Paper
$6,171
H 10.63 in W 18.31 in
Portrait of a naked woman after a card play
Located in BELEYMAS, FR
Pierre-Albert BÉGAUD (Bordeaux 1901 – 1956) End of game Oil on canvas H. 27 cm; L. 46.5 cm Signed lower right Pierre-Albert Bégaud is a French portrait and landscape painter born in...
Oil, Canvas
$10,000
H 12.25 in W 19.38 in
Highlands Sheep; A finished study from the Highlands Series
By Rosa Bonheur
Located in Middletown, NY
A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...
Handmade Paper, Graphite, Crayon
Master Plan Study, Monroe
By Grover Mouton
Located in New Orleans, LA
Architect and artist Grover Mouton brings utilizes hand drawings to illustrate urban design proposals. Acting as a catalyst to explore design concepts,...
Mixed Media, Color Pencil, Graphite
$26,952
H 19.5 in W 19 in
Portrait of James Butler, 2nd Duke of Ormonde (1665-1745), three-quarter length
By Sir Godfrey Kneller
Located in Taunton, GB
Portrait of James Butler, 2nd Duke of Ormonde (1665-1745), three-quarter length, standing wearing Armour, holding his baton, a skirmish beyond Oil on canvas In a carved wood frame ...
Oil
Portrait of Lord William Russell, three-quarter length
By Sir Henry Raeburn
Located in Taunton, GB
Portrait of Lord William Russell, three-quarter length seated at a table wearing a Brown Coat and a Yellow Waistcoat and a White Stock, a book by his side Oil on canvas 49 ½ x 39 ½...
Oil
Portrait of Lady Mary Burke, later Wife of Edward Southwell
Located in Taunton, GB
Portrait of Lady Mary Burke, later Wife of Edward Southwell, 2lst Baron, three-quarter length seated, wearing Red Coat and Fur Robes, a Landscape beyond Signed Oil on canvas 55 x ...
Oil
Portrait of Barbara Palmer 1st Duchess of Cleveland
By Sir Peter Lely
Located in Taunton, GB
Portrait of Barbara Palmer 1st Duchess of Cleveland 1640-1709, half-length wearing a red dress and portrayed within a cartouche. Circa 1680 Oil On...
Oil
$24,256
H 23.25 in W 18.5 in
18th century pastel portrait of Lady Augusta Corbett and her son, Stuart
By Daniel Gardner
Located in London, GB
Collections: Commissioned by Andrew Corbett, husband of the sitter; The Venerable Stuart Corbett; Sir Stuart Corbett; By descent to 2002; Sotheby’s, London 21 March 2002, lot.104; Lowell Libson...
Pastel, Gouache
$33,690
H 29.5 in W 24.5 in
Portrait of Lady Elizabeth Cromwell as The Magdalen with a Prayer Book
By Sir Godfrey Kneller
Located in Taunton, GB
Portrait of Lady Elizabeth Southwell (neé Cromwell), as the Magdalene, half-length wearing a red dress with black veil, a prayer book by her side Oil on canvas, circa 1705 In a ca...
Oil
$2,250
H 18 in W 23.75 in D 0.13 in
'Expressionist Seascape', New York ASL, L’Accademia di Belle Arti di Firenze
Located in Santa Cruz, CA
Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and painted circa 1965. Born in Queens, New York, James Joseph DeMartis served with distinction in World War II and was decorated at the Battle of the Bulge. He subsequently attended painting classes at New York's Museum of Modern Art (1946-47) and, later, at the Art Students League of New York. He then enrolled at the California School of Fine Arts in Santa Monica, California until 1949, before leaving t study in Europe in 1950. He settled in Florence, Italy where he attended L’Accademia di Belle Arti di Firenze (1950-54). While continuing to study painting, he participated in several group and one-man shows in Italy and Switzerland. In 1956, DeMartis returned to New York at the height of the American Abstract Expressionist movement. He settled with his new family in Brooklyn and, after participating in a series of grass-roots galleries opened with fellow artists, he opened the Armory Gallery and studio in Manhattan. He also exhibited in other Manhattan galleries and at the National Arts Club. In 1961, De Martis was awarded the prestigious Emily Lowe Award for Painting. This led to to shows at the Ward Egglestone, ROKO, Pierantonio and Artemis West galleries from 1962-68. He then returned to Europe to participate in a group show in Florence. Upon his return, he opened the Brownstone Gallery in the Park Slope section of Brooklyn, where he exhibited his own and others’ works until 1988. James De Martis exhibited widely and with success including at one-man shows in Tokyo, Brooklyn, New York, Sarasota, Florida, San Francisco and Santa Fe. Select Exhibitions: 1953 Brodighera, Italy 1954 Galerie an der Reuss, Lucerne, Switzerland 1955 La Casa di Dante, Florence, Italy 1956 Walden School, New York, New York 1957 Bottega 57 Gallery, Brooklyn, New York 1960, 61 Hicks Street Gallery, Brooklyn New York 1960 Heights Casino, Brooklyn, New York 1961 Ward Eggleston Gallery, New York, New York 1962 Ray Gallery, Brooklyn New York 1962 Pietroantonio Gallery, New York, New York 1962,3,5,7 Armory Gallery, New York, New York 1965 Brooklyn Arts Gallery, Brooklyn, New York 1966,9 Brooklyn Heights Association 1967 Roko Gallery, New York, New York 1970,3,4,5,8,9,83 Brownstone Gallery, Brooklyn, New York 1972 Artemis East Gallery, New York, New York 1975 Brooklyn Museum, Brooklyn, New York 1977 Marcoleo Gallery, New York, New York 1978 Long Island University, Brooklyn, New York 1989,91,92 Gallery Gion Tokyo, Japan 1994 Private show, Sarasota, Florida 1995 Private show, San Francisco, California 1995 Private show, Copake, New York 1996 Washington and Jefferson College, Washington, Pennsylvania May, 2018 Retrospective show, Ashawagh Hall...
Paper, Pastel, Watercolor, Gouache, Graphite
Portrait of Edward Southwell, three quarter length
By Thomas Hudson
Located in Taunton, GB
Portrait of Edward Southwell, three quarter length standing in a landscape, wearing a rust coat and a white satin waistcoat holding his cane Inscribed Oil on canvas in a carved woo...
Oil
$15,000
H 30.5 in W 24.5 in D 2.5 in
“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog
By John Russell
Located in Yardley, PA
“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...
Canvas, Paper, Pastel
The Coral Stallion
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon, Ink
Horse Nita
By Frédéric Schmied
Located in Genève, GE
Work on canvas Dimensions with frame : 85 x 70 x 4 cm This captivating painting presents a meticulous profile study of a horse, highlighting its nobility and strength. The color pale...
Oil
Mr Bassana
By Frédéric Schmied
Located in Genève, GE
Work on paper
Crayon