Frederick William Smith Prints and Multiples

2014 Colour offset lithograph on 250 gsm glossy wove paper 70 x 50 cm Edition of 500 Signed and dated in pen by Tracey Emin Published by Emin International Stored in its original tub...

Rainbow/Limited prints A limited edition of 100 Signature and number LV.M FineArt Giclee Digital Print Hahnemuhle FineArt Bamboo Papers 270gms size:40x41.3cm/15.74 in x16 17/64 in B...

Elegant and timeless, this pair of 19th-century etchings after Giovanni Battista Piranesi captures the beauty and grandeur of classical Roman architecture. Known for his dramatic per...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...

2021 Offset lithograph on a paper napkin with accompanying offset lithograph postcard Framed size 34.5 x 26.5 cm Edition of 300 Published by Air Mail, New York, for 2021 Frieze Londo...

This gorgeous and subtle still life print by Laurent Schkolnyk, realized in France during the latter half of the 20th Century. The work features an arrangement of objects on a plane, presumably a table. Fabric, appearing to be drapes in a sumptuous copper hue, gathers the right edge of the composition next to a perfume bottle with a bulbous base that tapers to a elegantly attenuated neck in a vibrant lime green hue with stylized foliate detailing in azure. The perfume bottle also offers an umber hued atomizer. Moving from right to left, there is a half circular bowl with an abstracted white...

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...

Yayoi Kusama Tulipe (I), A.P. from the Edition of 60. Screenprint [8 screens, 8 colors, 11 runs]. Lamé [3 colors] Image: 45.5 x 38 cm. Sheet: 65x 50 cm. Provenance: Ravenel Art Auct...

DINNER PARTY #2 - An art print on paper featuring a dinner plate with a timeless pattern. It elevates an everyday object, reminding us of the quiet beauty in what we use daily. Fits ...

The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne. Carol Wax originally trained to b...

Yayoi Kusama Flower, Edition 100/100. Lithograph [3 plates, 3 colors, 3 runs], Collage. Image: 22.3 x 15.5 cm. Sheet: 35.5 x 27.5 cm. Published in 1982 on on Velin d' Arches paper by...