Fritz Nuss Figurative Sculptures

Introducing our stunning Nude Male Sculpture in Solid Lucite, Circa 1970's. This one-of-a-kind piece of furniture is a true masterpiece, expertly craft...

Early 20th Century bronze male nude sculpture on wood pedestal base.

Graceful even when standing still the Bronze Discus Thrower on Marble Base is a striking addition to any setting. Using traditional lost wax cast...

Solid bronze male nudist statue. Classical Greek style sculpture. Unsigned. Would make a wonderful sculpture for desk, office, shelf, etc.       

Early 20th century patinated bronze sculpture of male Athlete by Donato Barcaglia, Italy By: Donato Barcaglia Material: bronze, copper, tin, metal Technique: cast, molded, patinated...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...

A fine bronze sculpture by Gary Weisman of a male nude torso. With a mixed chocolate brown and verdigris patina. Gary Weisman is an important living American sculptor active in Phi...

Italian Art Deco Bronze Sculpture Of A Nude Male. We offer a handsome Italian bronze sculpture of a reclining nude male that dates to the 1940's. Beautiful form and great patina!

Fabulous bronze of a tall large nude Male. Arms extending forward. Foundry stamp Guss Barth Rinteln. Large 29.5 tall and heavy. In excellent condition.

This early 20th-century bronze sculpture is a finely crafted reduction of The Discobolus by Myron, one of the most celebrated sculptures of classical antiquity. Measuring approximate...

Carrara marble sculpture of a Discus Thrower , in perfect condition, 80 cm high. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...