Gavin O'Donoghue Art

This piece titled "Enchanted Forest" is an original artwork by Dina Brodsky, as part of her acclaimed two-person exhibition "Little Italy", an exhibition celebrating travel in contem...

Original artwork, oil on canvas Bright yellow pop art canvas. This incredible painting would make a wonderful statement piece for a feature wall. and it would also be a great inves...

Animated cartoon comic--like portrait oil painting on paper by Matt Straub. Signed on back by artist. Offered framed. Paper size: 7 x 6 inches Frame size: 11 x 9 inches. Matt Strau...

Annot Jacobi Berlin 1894 - 1981 Munich Still Life Oil on canvas Signed lower right Size: 65 x 50 cm Frame: 73 x 58 cm Good original condition, minor pai...

The lights of The Lights Of Sinners are glimmers that burn out at dawn: when a new day supplants the dreams of the night, scattering the remnants of a bonfire or a ritual, or like th...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...

Ceravolo was introduced to Lichtenstein at a museum show in 1995, at that show, Lichtenstein and Ceravolo discussed the fact that Andy Warhol had painted portraits of Roy in the 1970...

Pastel Village - Urbanscape Painting - Oil on Canvas By Marc Zimmerman This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, ...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"3 Untitled Sharks" 24 x 36" Oil on canvas 2019 This painting from Michael Myers' "Sharks" series is done in his most recognizable style. The series is inspired by a fear and fascin...

John Devoluy (1903-1982) Woman portrait, 1950 c. Oil on canvas 21 1/3 x 18 1/8 inches l 55 x 46 cm With frame: 23 1/3 x 19 2/3 inches l 59 x 50 cm John Devoluy was born in 1903 and ...

This piece titled "Eye Feel So Seen" is an original painting by Sarah Detweiler and is oil paint on canvas. This piece originally debuted in Detweiler's solo exhibition "Unmasquerad...