Melanie Graham Art

Executed with a palette knife, this painting by Henry Dawnay depicts the iconic King’s Road, with the Peter Jones, the famous superstore. The King’s Road was originally King Charles II’s private road, which he would use to travel between his palaces in St James’ and Hampton Court. Until the 1800s, access was only allowed for members of Royalty, courtiers and the aristocracy. The road become a hub of the Swinging 60s, with fashionistas, including the famous fashion designer Mary Quant, using it as a global hotspot. In the 1970s Led Zeppelin established their record label at number 484, and Vivian Westwood and Malcolm McClaren opened up their infamous ‘Sex’ clothing...

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

'Towards Le Scathe Cove'. Contemporary mixed media landscape painting, Cornwall Original Artwork, Unframed _________________ January morning, heavy swell and a strong southwester, rain imminent, sheltering beneath lichen furred granite outcrops. A plein air painting from the series 'Holan ha Dor' (Meaning 'Salt and Earth in Cornish). West Cornwall is a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds, and criss-crossed by ancient, tangled hedgerows. Drawn to the immediacy of moments, underpinned by enduring narratives, Sophia's fluid expressive paintings explores the flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of anchored stone and rhythmic water; Of human narratives written in the wild landscapes; In the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Mixed media on watercolour paper Signed and inscribed Unframed 23 x 30cm / 9 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago...

'Flower Study No. 09' is an original impressionist floral painting by urban impressionist painter Steve Javiel. The piece incorporates a blend of acrylic paints, oil pastels, and spr...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Born in Damascus in 1951, Ali Mourabet has lived in Beirut with his family for the greater part of his life. An architect since 1976, he has a long-running passion for designing buildings, and as a professional artist since 1977, a love for depicting scenes from Lebanon, and this is reflected in much of his work. Regarding both architecture and painting as forms of art, Mourabet is never without a pencil or a paintbrush in his hand and to this day continues to experiment with new processes and techniques, especially in more recent years, having freed up more time to focus on his fine art practice. The consistent theme running through Mourabet’s captivating paintings is their extremely vibrant colour palette. With many of his works presenting simplistic geometric shapes and architectural forms and others depicting everyday life in his immediate surroundings, Mourabet is continuously seeking to explore different styles and techniques, while at the same time remaining faithful to the subjects closest to his heart. Timothy Warrington of the International Confederation of Art Critics said of Ali’s work: “Ali Mourabet is a true artist, possessing a rare ability to stimulate viewers as he conveys artistic ideas that are communicated and encapsulated as a direct consequence of an inner journey that explores the very essence of beauty through shape, colour and the essential relationship between forms. The artist’s broad and intricate cultural foundations stemming from architecture are apparent by virtue of assertive use of line and visual experimentations of mathematics, as well as the curious philosophical connections to diverse dimensions of art...

Vibrant colours and texture adorn the surfaces of each artists’ compositions. Dawn Beckles’ use of paint, print making and collage create bold depictions of the domestic: the exotic ...

Acrylic on paper.

Paul was born in 1947 in Tofino on Vancouver Island’s west coast, but raised in Nanaimo, British Columbia. After graduating from the Emily Carr School of Art and Design in the early 1970’s, he spent some time living and travelling in Europe, from Norway to the Greek Island of Mykonos. After several business ventures and painting in his “spare” time, and with the encouragement from well known artists, Nixie Barton and Grant Leier...

Painted with acrylics on stretched canvas. In this painting, Sarah wanted nature to speak, like a silent language. 'Waterlily Pool' is a work of imagination and was born out of a f...

Title: «I love Stefie» Collection: Muses Description: Acrylic on canvas, figurative, nature, brown, modern "What kind of woman is she? Like an excerpt from a romantic novel, here it is. Fragile and beautiful, yet strong, brave, with refined taste, a lover of art and, above all, good manners. She inspires me! I want to be close to her, be a friend of the muse of my dreams." The artwork in question may be a portrait or depiction of a woman who embodies both fragility and strength, as well as beauty and refinement. The focus is on the woman's character and personality, rather than her physical appearance alone. The artwork may convey a sense of admiration or infatuation, with the artist or viewer expressing a desire to be close to the subject of the piece. The mention of good manners and a love of art suggests that the woman is sophisticated and cultured, with a refined and elegant sensibility. Overall, the artwork celebrates the beauty and complexity of women, with a focus on character and personality as well as physical appearance. Victoria Tsemka...

'Brighter Days' is an impressionist floral painting by urban impressionist painter Steve Javiel. The piece incorporates a blend of acrylic paints, oil pastels, and spray paints on a ...