George Gregory Art

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

John Atkinson Grimshaw British (1836-1893) Late Autumn on the Esk Medium: Oil on canvas Unframed size: 31.25 x 46.5 inches Framed size: 41 x 56 inches Signature: Signed (Lower Rig...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

Frances Mabel Hollams Signed and dated 1898 Picture Size: 29 x 37" (74 x 94cm) Framed Size: 38 x 46" (97 x 117cm) Oil on canvas Most of her work are painted beautifully on panel...

Francis Mabel Hollams (1877–1963) The Farrier’s Visit, circa 1925 Oil on canvas, monogrammed lower right. Presented in its original gilt frame. Francis Mabel Hollams was one of Britain’s most accomplished painters of horses and domestic animals during the late nineteenth and early twentieth centuries. A gifted sporting artist, she studied under the distinguished equestrian painter Lucy Kemp-Welch and went on to establish a successful career exhibiting at London’s foremost institutions, including the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists and the Walker Art Gallery in Liverpool. Her paintings are celebrated for their exceptional draughtsmanship, sensitive observation and genuine understanding of animal character, qualities that have secured her place among the finest female sporting artists of her generation. The Farrier’s Visit beautifully encapsulates the quiet rhythms of rural England during the years when the working horse remained indispensable to everyday agricultural life. Hollams depicts a magnificent grey Shire horse standing patiently outside a traditional brick stable as the village farrier carefully replaces one of its shoes. The scene is entirely unforced and deeply authentic, celebrating the mutual trust between horse and craftsman, a relationship forged through generations of skilled husbandry. The monumental presence of the Shire horse dominates the composition, yet Hollams avoids sentimentality, instead conveying its immense strength through calm composure and gentle dignity. Every detail, from the worn leather harness to the weathered stable doors and simple blacksmith’s tools...

Chisolm Cole 1871-1902 Oil on canvas Picture Size: 20 x 30" Outside Frame Size: 27 x 37" Signed Artist's label on the reverse British landscape artist. Who showed at the RCamA an...

John Emms 1896 Signed and dated 1896 Canvas Size: 26 x 33" (68 x 105cm) Framed Size: 34 x 41" (88 x 105cm) Provenance: An Irish Country Estate Born on 21 April 1841at Blofield, ...

Arthur Sydney Watson British (1881-1931) Near Loch Tay, Perthshire Medium: Oil on canvas Framed size: 18 x 24 Inches Unframed size: 13 x 19 Inches Signed lower right and inscribed...

A magnificent, panoramic vista painted by one of the great landscape painters of the early 19th century. The painting is on a large scale (over 4 feet wide) and is very handsomely p...

Arthur Gilbert British (1819-1895) Mountain Solitude Medium: Oil on canvas Framed size: 16.5 x 14.5 Inches Unframed size: 8.75 x 6.75 Inches Unsigned Provenance: Haynes Fine Art o...

William Davies British (1826-1910) Loch Eck, Argyllshire Medium: Oil on canvas Framed size: 18 x 24 Inches Unframed size: 13 x 19.5 Inches Signed lower right, dated 1891 and inscr...

Sydney Robert Watson British (1892-1976) Morning, Glen Lyon Perthshire Medium: Oil on canvas Framed size: 24 x 30 inches Unframed size: 18 x 24.5 inches Signed lower left and dated...