George Raab Art

Kate Heiss Sunflower Fields Linocut Edition of 30 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signe...

"Figures, Boats, and House - Cape May Point, NJ" is a Pennsylvania Beach Scene by American Impressionist painter Albert Van Nesse Greene. The ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

19th century Impressionist oil painting of two women in a park. Oil on canvas, circa 1900. Signed illegibly lower left. Displayed in giltwood...

Don Hatfield (American, born 1947) "Mothers and Children on the Beach" Unknown Oil paint, canvas, stretcher bars Signed on the bottom right of the painting. Don Hatfield’s 'Mothers ...

A very attractive California Impressionist oil on canvas painting by Charles L. A. Smith, "California Highlands", dated 1930. This very attractive large painting by one of the foremo...

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

Dennis Sheehan Spring Thaw Signed lower left, titled on verso Oil on canvas 16 x 20 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School wit...

Dennis Sheehan Quiet by the Stream, circa 2025 Signed lower right Oil on canvas 30 x 40 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School...

Dennis Sheehan Sunset on the Marsh, Summer, circa 2025 Signed lower left Oil on canvas 20 x 30 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon...

A vibrant celebration of Taos life and culture, Saturday Morning (Market, Taos Plaza, New Mexico) is a striking 1950s modernist linocut print by acclaimed New Mexico artist Barbara L...

Plein Air Creekside by Lu Haskew Oil 8x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. ​ ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...