Georges Antoine Rochegrosse Art

Georges Antoine ROCHEGROSSE (1859-1938) Spring : Luminous Forrest Original Oil on Canvas Signed in the bottom right corner On canvas 46.5 x 56 cm (c. 18 x 22 in) Presented in a wood...

Georges Antoine Rochegrosse (1859-1938) A zither player carbon pencil on thin paper 8.5 x 3.3 cm In good condition Framed : 35 x 24 cm Provenance: Estate of the artist and by Inher...

Georges Antoine Rochegrosse (1859-1938) Study for "Les Trophées" carbon pencil on thin paper 15.5 x 19 cm Signed lower left In good condition In in its original mount (a tear in th...

Georges Antoine Rochegrosse (French, 1859 – 1938) Odalisques in Slumber Signed ‘G M Rochegrosse’ (lower left) Oil on board 7.1/2 x 19.1/2 in. (19 x 27 cm.) Provenance: Marambat-Malafosse Atelier Rochegrosse, Toulouse Georges Antoine Rochegrosse was born at Versailles and studied in Paris with Jules Joseph Lefebvre and Gustave Clarence Rodolphe Boulanger. His themes are generally historical, and he treated them on a colossal scale and in an emotional naturalistic style, with a distinct revelling in horrible subjects and details. He made his Paris Salon début in 1882 with Vitellis traîné dans les rues de Rome par la populace. He followed this the year afterwards with Andromaque, which won that year's prestigious Prix du Salon. There followed La Jacquerie, Le mort de Babylone, The death of the Emperor Geta, and Barbarian ambassadors at the Court of Justinian, all of which exemplify his strong and spirited but sensational and often brutal painting...

Georges Antoine Rochegrosse (1859-1938) A naked woman, rising her arms, Study for Flaubert's Salammbo or for José Maria de Heredia's Trophées charcoal on thin paper 23.5 x 8 cm stains and foxings as visible on the pictures Annotations on the back of the mount that identifies this drawing as a preparatory study for the illustration of Salammbo by Flaubert, published in 1900 (see picture). The annotations are by the hand of the Rochegrosse artworks expert. But an other specialist of the artist suggests it should have more probably been used for an illustration of José Maria de Heredia "Les Trophées...

Georges Antoine Rochegrosse (1859-1938) A woman resting on her arm seen from behind, study pencil on thin paper 10.5 x 13 cm stains and foxings as visible on the pictures Framed : ...

Georges Antoine Rochegrosse (1859-1938) A flute player, Bears the monogram G R lower right pencil and heightenings of white gouache on thin paper 12 x 15 cm Small traces of glue on...

Oil on panel by Georges Antoine Marie Rochegrosse depicting a beautiful nude in a boudoir interior smoking a cigarette. Signed lower left. Georges Rochegrosse was abandoned by his f...

A compelling picture full of colour and brushed incredibly persuasively. This oil on canvas by Antoine Georges Rochegrosse is painted exquisitely and superior in its finishing. A gen...

Georges Rochegrosse (French, 1859 - 1938) The angel of death oil on canvas laid down on board 7.1/2 x 9.3/4 in. (19 x 25cm.) studio stamp on the reverse

Georges Antoine Rochegrosse (French, 1859 – 1938) Fillettes Egyptiennes Pencil, gouache and watercolour on paper 6 x 12in. (15.2 x 30.2cm.) Provenance: Marambat-Malafosse Atelier ...

Georges Antoine Rochegrosse (French, 1859 – 1938) La Fille du Pharaon apporte au Palais le petit Moise (The Pharoah’s daughter carrying the baby Moses to the Palace) Oil on board 8.5/8 x 10.1/2in. (21.8 x 27cm.) Provenance: Marambat-Malafosse Atelier Rochegrosse, Toulouse Georges Antoine Rochegrosse was born at Versailles and studied in Paris with Jules Joseph Lefebvre and Gustave Clarence Rodolphe Boulanger. His themes are generally historical, and he treated them on a colossal scale and in an emotional naturalistic style, with a distinct revelling in horrible subjects and details. He made his Paris Salon début in 1882 with Vitellis traîné dans les rues de Rome par la populace. He followed this the year afterwards with Andromaque, which won that year's prestigious Prix du Salon. There followed La Jacquerie, Le mort de Babylone, The death of the Emperor Geta, and Barbarian ambassadors at the Court of Justinian, all of which exemplify his strong and spirited but sensational and often brutal painting...