Georges Braque Paintings

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Nature Morte aux Fruits (Still Life with Fruit) Oil and acrylic on canvas 60 × 49 cm Nature Morte aux Fruits revisits the traditional still life through a structured, cubist constru...

Maybe it's just the chair with straw seat, or the vivid orange-brown tone, but this painting brings Van Gogh to mind, though technically it is fa...

Important cubist still life oil painting by Douglas Warner Gorsline (1913 - 1985). Oil on canvas. Framed. Signed.

An original modern cubist oil painting by American artist John W. Hatch created in 1948.

William S. Schwartz Still Life with Yellow Mums, circa 1950 Signed lower right Oil on canvas 20 x 16 inches Provenance: Private Collection, Massachusetts William Schwartz was born in Smorgon, Russia, in 1896, one of nine children in a poor family. He studied art at an early age, earning a scholarship at the Vilna Art School in Russia, 1908–12. He immigrated to the United States at age 17 in 1913, living in New York with his sister for eight months and then moving to Omaha, Nebraska, to live with his brother in 1915. Working as a house painter, he turned his attention to art, studying briefly with J. Laurie Wallace at the Kellom School in Omaha before moving to Chicago. He entered the School of the Art Institute of Chicago (SAIC) in 1916, studying with Ivan Trutnev and Karl A. Buehr, and graduating with honors in life drawing, portraiture, and painting in 1917. He supported himself as a tenor singer in vaudeville, concerts, and opera and received favorable reviews, but he chose to pursue painting instead of singing. His circle of artist friends included important Chicago modernists Aaron Bohrod, Malvin and Ivan Albright, Archibald Motley Jr., and Anthony Angarola...

Vintage American cubist still life painting. Oil on canvas. Signed. Framed. Measuring: 12 by 44 inches overall and 10 by 42 inches painting alone. Framed in a wooden molding. Exce...

Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...

Still Life by Paul-Louis Bolot (French 1918-2003) signed & dated signed oil on canvas canvas: 15 x 18.5 inches original oil painting condition: very good a...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green stu...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Serra (French, 20th Century) Homage au violin Oil on canvas laid down on board Signed ‘SERRA’ (lower right) 16.7/8 x 20.7/8 in. (43 x 53 cm.)