Georges Gerbier Paintings

Rafael Duran Benet (1931-2015) - Amsterdam - Oil on canvas Oil measurements 73x92 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew o...

Jordi Curós Ventura (1930-2007) - The ship Oil on canvas cardboard. Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He...

Jordi Curós Ventura (1930-2007) - Cadaques - Oil on canvas. Work measurements 61x50 cm. Frame size 66x55 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. ...

Vicenç Ferrer Torradellas (1927) - Ibiza Market - Oil on canvas Oil measures 46x55 cm. Frameless. Reus 1927. He studied at the School of Work. He dedicated himself to easel painting...

Ignasi Mundó Marcet (1918-2012) - Plaza Nueva Barcelona Spain - Oil on canvas Canvas measures 73x60 cm. Frameless. MUNDO Ignasi Ignasi Mundó trained at t...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

Jordi Freixas Cortés (1917-1984) - Banyoles - Oil on canvas Oil measures 46x65 cm. Frameless. Jordi Freixas Cortés (1917-1984) Jordi Freixas Cortés is a Catalan painter with a colo...

Rafael Griera Calderón (1934) - Rambla de las flores Barcelona - Oil on canvas Oil measures 46x55 cm. Frame measures 65x74 cm. Rafael Griera Calderón was born incidentally in Las Palmas de Gran...

Simó Busom - Port of Aiguadolç Sitges - Oil canvas Oil measurements 60x81 cm. Frame measurements 81x102 cm. Biography of Simó Busom Grau (Barcelona, ​​1927) Barcelona painter, draf...

Signed Oliveras - Fisherman's Beach - Oil on canvas. Slight paint chips on the sides that covered the frame. Oil measurements 61x122 cm. Frameless.

Jaume Mariné - the barn - Oil Oil on canvas glued to board. Oil measurements 27x35 cm. Frame measurements 43x51 cm. Born in Poblenou in 1935. died in 2012. He was the son of a wall ...

Oil on canvas by Henri-André Martin (1918-2004), France, ca.1960. Notre-Dame de Paris. With frame: 79.3x 60.3 cm - 31.2x23.7 inches. Without frame: 54x 73 cm - 21.3x28.7 inches. 20P format. Signed lower left "Henri A. Martin" (see photo). Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...