Georgina Clapham More Art

This small vertical 31 inch high by 23.5 inch wide original oil painting on canvas is wired and ready to hang. The detail in this artwork is astounding. From the gaze and makeup details around the eyes to the the ornate jewelry, Princess Julia is absolutely sublime. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This vertical 21.5 inch high by 13.5 inch wide original oil painting on linen is wired and ready to hang. The hyperrealistic detail in the is artwork is astounding. The main focus of the chic hyperrealist stiletto anchors the image amongst a calming, cool-toned lake setting. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This vertical 31.5 inch high by 23.5 inch wide original oil painting on linen is wired and ready to hang. The hyperrealistic detail in the is artwork is astounding. A reimagined alternative view of the icon Cleopatra draws you in with her serpent. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This small vertical 15.5 inch high by 11.5 inch wide original oil painting on canvas is wired and ready to hang. This playful image features the Wicked Witch of Oz and the Easter Bunny buying Prada merchandise on the iconic Rodeo Drive in Beverly Hills. The sides of the artwork are not painted and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...

This vertical 19.5 inch high by 16.5 inch wide original oil painting on floral printed fabric is wired and ready to hang. The hyperrealistic detail in the is artwork is astounding. The main focus of the chic hyperrealist stiletto anchors the image on a complimentary detailed cotton fabric. The sides of the artwork are are continuation of the fabric and it does not require framing. It is signed and titled by the artist on the back of the artwork British painter Georgina Clapham conspicuously engages with story telling and theatricality, drawing together Renaissance portraiture, Greek Mythology, folklore, mysticism, animals, nature, the artificial, high fashion, subculture, gender, identity and sexuality, in her meticulous life size figurative paintings. Through the traditional media of oil paint on linen and intaglio printmaking, she creates her own contemporary mythologies. Staging her paintings using people in her everyday life, she infuses these timeless narratives with the intimacy and tangibility of her friendships and personal relationships drawing out their psychology and sexuality; as such, the works become as much a depiction of her own imagined narrative as of the individuals’ personality. She has previously attended City and Guilds of London Art School, 2013 and The Glasgow School of Art, 2014-16, where her work was purchased into the archive. In 2015 she was awarded The Richard Ford...