Gerald Anthony Coles Art

Woodcut print on paper realized by Irma Stern in the mid-20th Century. Hand watercolored. Hand signed and numbered in pencil lower right. Edition of 23/40. Good condition.

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

"Chamber Music" is an original wood engraving by Robert Franz von Neumann. It features a room full of men in the thralls of creating music together. A small audience stands outside their circle. Image: 5.5" x 7" Framed: 14" x 15.56" 1888 - 1976 Born in Rostock, Mecklenburg, Germany, Robert von Neumann...

Portrait of Jesus is an original artwork realized by Max Théron in the first years of the 20th Century. Woodcut print on paper. Hand-signed in penc...

Yokihi is an original print realized by Tsukioka Kôgyo in 1923. Mixed colored woodblock print. This print is from the series "One Hundred No Dramas (No...

Figure is an original woodcut print realized by Amadore Porcella. The state of preservation of the artwork is very good. Passepartout dimension: ...

Elwood Warren Bartlett is a Wisconsin native who also worked in Indiana. Turtle Creek (named of course for its many turtles,) is in the southeastern part of the Wisconsin. It is now ...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Visit is an original artwork realized by Jules Chadel (1870-1941). Woodcut print. Hand signed on the lower right. Is not dated but we can attribute the period late 19th Century. Passpartout cm 44,5x32,5 The artist presents an interior of a room with men talking around a bad. Good condition. Jules Chadel (1870-1941) was a french artist who was born in 1870. He studied in Paris at the Ecole des Arts Décoratifs. Around 1903 his skills as a draftsman landed him jobs with jewelry designers. This also led him to discover Japanese...

Rudolph Carl "R.C." Gorman (1932-2005) "Sora" 1981 Original color woodcut print Hand signed and dated "1981" in pencil by the artist Numbered XV/XXV in Roman numerals 23 x 19 inches ...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Initial Letter 'H' for The Canterbury Tales (1929) - The Doctor's Tale Woodblock Print Published Hague & Gill 1934 in an unnumbered edition of 300 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's own typeface. In 1903 he ceased his attempts to become an architect, instead becoming a monumental mason, letter-cutter and calligrapher. Based in Ditchling, he began direct carving of stone figures, the semi-abstract figures taking their influence from mediaeval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little post-Impressionism added in. With major commissions from Westminster Cathedral for its Stations of the Cross (1914), a series of War Memorials including the Grade II* memorial in Trumpington, and three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's, and a series of sculptures for the new 1932 Broadcasting House. The list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures. He had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925 designed Perpetua on his own, and Gill Sans between 1927-30. For the Golden Cockerel Press he created, in 1929, a bolder typeface to complement wood engravings. And of course Gill was publishing decorated...

Woodcut on paper, 1921. Signed by the artist, numbered 13/24, dated, titled "Lead'r" and dedicated "To Rose - Nat - be careful" in pencil, lower margin. The dedicatees named by E...