Giglio Raphael Dante Art

Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...

Pablita Velarde Two Pueblo Dancers, Santa Clara, 1993 Signed and dated lower right Casein on paper 7 1/2 x 7 1/4 inches Provenance Adobe Gallery, New Mexico Private Collection, Texa...

Signed lower left: Martinique F.W.I. / NEY Provenance Private collection Lloyd Ney was an American painter and member of the “New Hope Modernist School.” Born in Pennsylvania in 18...

Peacocks is a painting realized by Lucie Navier in the 1930s. Original tempera painting and pastels on cardboard. Hand-signed by the artist on the lower right corner in red paintin...

Lalu Prasad Shaw - Biwi - 21 x 15 inches Tempera on Board, 2017 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the most emphasis on his subject’s physical characteristics. Capturing the expressions of his subjects perfectly with the greatest economy of line and colour each of Shaw’s paintings has an intimate feel to it. Influenced by the pre-independence Company School of art, the traditional Kalighat Pat and the Ajanta cave paintings, Shaw’s works, mainly executed in gouache or tempera, like his own person, are simple and graceful, having a very still, well-composed and smooth exterior. This senior artist draws his inspiration primarily from nature and the milieu surrounding the great Bengali middle class, often depicting pleasant and quiet scenes from his own life on his canvases and papers. His style is unique and modern in its adaptation of academic and traditional Indian formats. A particularly notable aspect of Shaw's paintings is their simple yet sophisticated look. One notices a seamless synthesis of different stylistic elements to achieve a phenomenal effect. About the Artist and his work : Born : 1937 in Bengal. Education : completed his education in fine arts at the Government College of Arts and Crafts in Kolkata. International Shows : 1970 - Second British Biennale in London; 1974 - Norwegian Print...

The Valley of the Temples is an original modern artwork realized in 19th century. Mixed colored tempera on paper. Includes frame. Titled on the lower margin: Veduta del tempio esa...

Madame in the blossom garden is an original painting realized by Lucie Navier in the 1931. Original tempera on paper. Very good conditions. Colorful composition representing a f...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Lalu Prasad Shaw Untitled (Biwi with the Flower) Untitled (Babu with the Cigarette & Flower) 28 x 22 Inches Tempera on Board, 2016 ( Set of 2 works ) ( Framed & Delivered in a teak f...

"Have A The Beer" is a figurative, romantic painting by Maestro Yovana Dimitrova, She is an emerging artist. About the artwork: TECHNIQUE: Tempera painting STYLE: Contemporary Edition : Unique, signed Weight: Approximately 3 kg. “The impressions of Yovana's paintings on the viewer is perfection. Her paintings bring emotion happiness, positive energy and make you think about the nowadays problems. This painting represent the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Dimitrova, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Numerous artworks of the artist have been sold to galleries and individuals around the world A certificate of authenticity of the artwork is delivered by Snow Pearl art gallery.

Artwork measures 48" x 30" and framed 56 ¼" x 38 ¼" x 3" Provenance: John Heller Gallery, NYC, circa 1975 (label verso) The artist's daughter Corbino Galleries, Sarasota, FL (1990)...

"Svejk And The Beer II" is a figurative, romantic painting by Maestro Yovana Dimitrova, She is an emerging artist. About the artwork: TECHNIQUE: Tempera painting STYLE: Contemporary Edition : Unique, signed Weight: Approximately 3 kg. “The impressions of Yovana's paintings on the viewer is perfection. Her paintings bring emotion happiness, positive energy and make you think about the nowadays problems. This painting represent the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Dimitrova, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Numerous artworks of the artist have been sold to galleries and individuals around the world A certificate of authenticity of the artwork is delivered by Snow Pearl art gallery.