Gillie Cawthorne Art

Anna Kudriashova, born in a small town in Russia, has always been an artist at heart. From her youngest years, she was passionate about painting, spending her days immersed in the wo...

Living on the Edge, Watercolor on Paper, 6 x 7 1/4 Inches, is one of a series of paintings, watercolors, mosaics, and prints by Lisa Houck, a very established artist from Boston wit...

Katie DeGroot This Way More Than That, 2025 watercolor on paper 50 x 60 in. (groo121)

This piece titled "Elder, December" is an original artwork by Allison May Kiphuth and is made of watercolor and gouache on hand-cut paper in an antique box. This piece measures 6"h ...

David Barnett's 'Desert Mountain Paths' is an exercise in using limited materials. Depicting the winding paths of Desert Mountain in Scottsdale, AZ, the composition simulates found a...

Ink, watercolor, pencil, charcoal pencil on paper available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer...

watercolor, charcoal, graphite, ink on paper 19"x25" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates ou...

"Stockholm Evening" is an original watercolor by Julia Taylor. The view into Stockholm shows a misty twilight. Image: 14 x 10 in Frame: 19.25 x 15.25 in

36"x72"watercolor on paper, available unframed, signed on reverse by New York artist, Thomas Broadbent. Please inquire about framing options. This highly detailed and masterfully rendered watercolor depicts a dual view of the Moon...

Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...

Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...