Goebel Company Vases and Vessels

9 figurines of M.I. Hummel, Goebel West Germany The German producer Goebel made the first Hummel figures in 1935. For this he used children's illustrations made by the nun sister Berta Hummel (1909 - 1946) The 9 figurines ( Not boxed) : * Merry Wanderer TMK 2 #11/0 (1950-1955) * Boy on Skies TMK 6 #59 (1979-1990) * My wish is small #465/0 Exclusive edition 1992/93 M.I. Hummel Club * "Brother" #95 TMK 6 (1979-1990) * Country Suite # 760 Exclusive Edition 1995/96 M.I. Hummel Club * What now? #422 Exclusive special edition No. 7 for members of the Goebel collectors club (1981 impressed) * Flower Vendor #381 TMK 5 (1972-1979) , 1971 impressed * Homeward Bound #334 , 1975 impressed, TMK 6 (1979-1990) * The Artist #304, 1955 impressed, TMK 6 (1979-1990) The measurements are approx. 14,5 cm high and 6- 9-10 cm diagonal The weight in total is 1540 grams TMK is for the year(s) that the logo (Trademark) Goebel shows as back stamp they used Berta Hummel, also known as Zr. Maria Innocentia, was a German artist. She is best known for the ceramics that we now know better as the Hummels or Hummeltjes * 1871 Franz Detleff Goebel and his son William founded F&W Goebel began to produce slate pencils and marbles * 1935 The first M.I. Hummel figurine...

This large art glass vase was designed by Josef Welzel and produced by Charlottenhütte W. Goebel KG in Germany between 1968 and 1973. Executed in clear molded glass, the vase is dec...

Vintage Italian handmade Murano glass vase / bowl in yellow color. Very good/excellent vintage condition.

A pair of patinated bronze vases designed by Jakob Angman for GAB, Sweden, Circa 1930th. Natural patina, marked by manufacturer.

Decorative cushion shaped porcelain vase transfer-printed with permission from the Gustav Klimt Foundation with Klimt's Iconic motif ' Der Kuss' from 1908. Manufactured by Goebel in ...

Fantastic pair of freeform vases by Angelo Mangiarotti (1921 – 2012) for Fratelli Brambilla Milano, 1960s, Italy. Mangiarotti was a multi talented man and one of the great designers...

Set of 5 vintage mini pitchers or vases consists of 3 red pitchers (one - in matte amberina glass and two - in crackled red), one pitcher in crackled amethyst glass, and one - in crackled warm green glass. Addition of green and amethyst pieces to the set adds interest to otherwise almost monochromatic red palette, while variation and repetition within the pitcher shapes create unity and variety to the composition on display. Crackled glass pieces create texture within minimally shaped pieces. The pitchers were hand blown and have clearly defined pontil marks; they glow in UV light due to use of uranium and cadmium glass...

A pair of midcentury papagena vases by Danish artist-cum-designer Bjorn Wiinblad for Rosenthal of Germany as part of their extensive artist-led Studio Line series, circa 1970s. #547...

Vintage Art Glass Swan-Shaped Bowl Vase, in Very Good conditions. Designed 1970 to 1979. Additional information: Materials: Glass Country of Origin: Item Type: Vintage, Antique or ...

Pair of monumental ceramic vases made in Italy feature a smooth, glossy glaze with a soft, organic finish. The color transitions gently from muted green to warm yellow, creating a s...

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...

Barovier & Toso vase, in its characteristics the glass expresses bubbles around the whole vase, being handmade by the great masters we can notice a bubble a little bigger than all th...