Gregory Hardy Art

Between the Landscape and Geometry, hand weaving, linen yarn, wool, acrylic textile paint, 70 x 65 cm, 2024. There is a second painting from this series - my other article here, mat...

Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist, Angela Wakefield. This is a major work from her New York Series. Art measures 48 x 24 inches Frame me...

In Between Words III, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. Handwoven Canvas is entirely constructed on a weaving loom using a painting technique of glazing - applying semi-transparent layers of textile on each other' Inspiration is the colour perspective which exists in nature and the line of the horizon – border of the space visible to the eye and the one hidden by the ground. Marta Pokojowczyk...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Large Atmospheric Black & Yellow Painting of Broadway New York City by British Urban Landscape Artist, Angela Wakefield. This unique original is ...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

This crisp wintry contemporary landscape scene is signed 'Berdard' with the artist name and title 'Autumne Au Village' verso. Painted with acrylic on canvas in the mid 20th century,...

"Timeless", from the series Horizons, handwoven painting, linen yarn, acrylic textile paint, 60 x 80 cm, 2022. Canvas is entirely constructed on a weaving loom...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

Original oil and acrylic painting on canvas of a contemporary cityscape.. Signed Lee Reynolds lower right. Vanguard Studio label verso. Circa 1975. Condition is excellent. The pain...

Between the Landscape and Geometry, hand weaving, linen yarn, wool, acrylic textile paint, 70 x 65 cm, 2024. There is a second painting from this series - my other article here, mat...

Retro counterculture meets retro mainstream culture in this vibrant painting by Santa Cruz, California artist Russell Brutsche (American, 20th Century). The "Magic Bus" - a counterculture icon - is hooked up to jumper cables by the side of the road. Wrapped canvas sides are also painted - a continuation of the scene. Unframed. Image, 24"H x 30"W. “I’ve been painting since early childhood. I attended San Jose State University, studying under Eric Oback, Robert Freimark (student of Henri Matisse) and Sam Richardson...