Gustave-Louis Nast Furniture

French 19th century bronze gilt putti A set of bronze putti figures on a square marble base. A torch and a flute carrying putti, which are graceful objec...

This exquisite 19th-century French bronze sculpture captures the essence of rural life through the figure of a young peasant boy. The boy is depicted with a charming, rustic appeal,...

19th century life-size corpus Christi figure leg We are proud to offer a very unusual religious artifact, dating from early to mid-19th century and either Spanish or Italian in orig...

French gilt bronze harp, 19th century. On marble base.

Decorate a lady's office or a library shelf with this fine antiquity. Crafted in France circa 1880, this elegant bronze sculpture titled “La Cruche Cassée” (The Broken Pitcher), fea...

A beautiful 19th century Italian patinated bronze figure of Mercury after the model by Giambologna. Resting on a marble pedestal

A Charles Anfrie (Catalan sculptor Charles Anfrie, 1833-1905) bronze statue of a boy “C. Anfrie” signed with “ Vrai Bronze Garanti. Paris. BL” caster seal and titled 'Un accident' ...

A charming French 19th century patinated bronze entitled 'Chemin des Roses', Path Of the Roses, by August Moreau. The bronze is raised by a mottled circular Verde Antico marble base ...

A very good quality French patinated bronze study of a Pierrot signed Bouret.

This fine and exceptionally cast patinated bronze sculpture is the work of two masters of the decorative arts, Henri Chapu (French, 1833-1891) and Ferdinand Barbedienne (French, 1810-1892). Chapu was responsible for the design of the sculpture which is titled 'La Jeunesse' and depicts a young girl swathed in Classical style clothing reaching up to place a laurel branch on top of a wall. The original work was crafted in white marble as part of a monument to Henri Regnault...

A Rare and Important Late 19th Century Over Life Size Bronze Torchere by J Coutan and Thiebaut Freres Jules-Félix Coutan Modeled as a classically clad female musician holding a “tu...

An impressive larger than life-size cast and gilt bronze left hand and arm of a bodhisattva, late 19th century or earlier, Tibet. The over-sized arm and hand of graceful proportions. The arm tapering down to a slender wrist embellished with a simple bracelet hiding the join between the hand and arm. The hand and arm richly gilt. The join to the elbow visible and exposed. The hand heavily cast, with nice detail to the fingernails and cuticles. The palm with simple incised lines. The hand, with the pointer and pinky fingers raised, and the middle and ring finger folded down touching the thumb, performs the gesture known as karana mudra, the gesture of dispelling evil. (Here in Texas we refer to this gesture as "Hook'em Horns!") Karana mudra is often associated with Avalokiteshvara, the bodhisattva of compassion, known in Tibet as Chenrezig, and in China as Guanyin. The hand and arm would originally have been part of a much larger sculpture. Unfortunately many Tibetan Buddhist sculptures...