Gwen Samuels Mixed Media

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Typical of Gabriele Mierzwa's softly toned academically inspired figurative oil paintings is the sensitive portrayal of dynamic, intimate figures. These sensual moments are powerfull...

Ray Johnson Moon Mixed media on Masonite 8 3/4 x 6 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages and...

Ray Johnson Venice Signed lower right Collage 6 x 4 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages an...

Katherine’s delicate and evocative monotypes portray nature’s flora in all its glory, from the most organic trees and branches to airily etched florals. They are the result of a perfect (and complicated!) marriage of technical expertise and Katherine’s innate ability to create these light-filled, contemplative pieces. "These works are one of a kind. All are hybrids of different techniques, tied together by being created on an etching press...

Peenemunde 1943—During World War II, German rocketeers developed Vergeltungswaffen or "V" weapons at the German rocket facility Peenemunde, built in 1937. The first civilian employee...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Mistreated and abandoned spray-painted butcher paper (saturated), archival mounts, appropriated internet imagery heat transferred with Ink Jet T-shirt Tr...

"Listen (Dust is the Only Secret)" is an original lithograph with nylon string by Lesley Dill. The artist signed the piece lower left. It depicts the silhouette of a man constructed ...

Gouache and technic mixte on paper, signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu. In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

This mixed media painting revolves around flying saucers, pigeons, boats, horses, figures and other abstract forms. There is every kind of color on this piece, but non of these colors are very saturated. The composition has an overall "collage" feel. Please contact for more images. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...