Hans Gunther Reinstein Tables

Japanese antique Zataku low table for 4 people, a set of tabletop & wooden leg frame. Aimed to make as Kotatsu table (heat table with brazier) in winter. Tabletop material is ma...

Made from driftwood branches, this free flowing organic table base is topped by a 3/4 inch round edged green glass.

Nice 3-legged table and chairs deigned by Randy castellan 1994, for Makea Studio, signed at the bottom great industrial design, in plywood good origina...

Elegant marble-top table with a steel and brass base in the French Regency style.

A finely crafted and characterful table from the School of Nancy, showcasing the artistry of French decorative arts in the early 20th century. Made in Indian rosewood and mahogany, t...

This enchanting early 1900s Sicilian Art Nouveau coffee table is a masterpiece of Stile Liberty design, capturing the fluid, organic poetry of the era. Crafted from lacquered wood, t...

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...

Vienna secession beech bentwood table. Rectangular Beech / bentwood. Vienna, 1900.

A wonderful French rosewood Art Deco occasional table by Pierre Gouffe from the 1930s. The table has cut corners and an indented apron, ribbed central su...

Round side table by Thonet. Professionally stained and repolished.

Rare occasional side table by Hans C. Andersen for Artex. Denmark, 1960's Teak. 2x available. Newly refinished, in excellent condition.

Beautiful pair of Paul Frankl for Brown Saltman two-tier occasional tables with splayed and tapered legs and espresso finish.