Hans Hartung Art

Artist: Hans Hartung Medium: Lithograph, 1969 Dimensions: 27 x 20.5 in, 68.6 x 52 cm

Zincographies, 1971 Edition : EA 11.7.74 Publisher : Galleria La Seggiola, Salerne Printer : Arte Adrien Maeght, Paris Catalog : [RMM 348] 56.50 cm. x 75.70 cm. 22.24 in. x 2...

Artist: Hans Hartung, German (1904-1989) Title: Untitled Year: Circa 1960 Medium: Lithograph, signed and numbered in pencil Edition: 90/100 Size: 26 x 20 inches

Lithographie originale our XXe siecle Color lithograph, 1964 Unsigned (as issued) From: XXe siecle, Permanence du Sacre, No. 24 Publisher: G. di San Lazzaro, Paris Printed by Mourlot...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 33/75 Publisher : Las estampas de la cometa (Gustavo Gili), Barcelone Printer : Ed...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Color aquatint on Arches paper. Signed in lower right corner. Inscribed "EA" in lower left corner. Artists proof aside from the edition of 100. Printed and published by Lacourier...

This exquisite lithograph by Hans Hartung (1904–1989), titled L-64-21, from the album XXe Siecle, Nouvelle serie, XXVIe Annee N°24, Decembre 1964, originates from the 1964 edition pu...

The 1958 original lithography by Hans Hartung, titled "Composition noir L56" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

Zincographies, 1971 Edition : 76/200 Publisher : Cercle Graphique Européen, Amsterdam Printer : Maeght, Paris Catalog : [RMM 346] 55.00 cm. x 76.00 cm. 21.65 in. x 29.92 in. (paper)...

Author: Hans Hartung. Title: Untitled. Year: 1971. Technique: Etching. Edition: Exemplary H.C. Size: 105 x 75 cm.

Original, for the 1972 Munich, Germany Olympics. Linen-backed Art Series poster done For the Olympische Spiele Munchen 1972. The contemporary abstrac...

This exquisite lithograph by Hans Hartung (1904–1989), titled Sans titre (Untitled), from the album XXe Siecle, Annee No. 41, Decembre 1973, or...

Hans Hartung's 1972 Munich Olympics poster is a visual masterpiece that encapsulates the spirit of sporting excellence. This iconic poster serves ...

Hans Hartung 1970s signed and numbered signed and numbered colour lithograph Available one pair Title "Farandole" Signed lower right Numbered lower left XXVII/LXXV Table 5, editio...

Hans Hartung (Germany, 1904-1989) Galerie Im Erker, 1963 lithograph on paper 36.5 x 22.7 in. (92.5 x 57.5 cm.) Excellent condition, unframed Ref: HAR100-204 Hans Hartung was born in...

This exquisite lithograph by Hans Hartung (1904–1989), titled P. 1958-35, from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, originates from the 1959 editi...

Hans Hartung (Germany, 1904-1989) Olympische Spiele Munchen, 1972 Lithograph on paper Signed on plate 40.2 x 25.6 in. (102 x 65 cm.) Excellent condition, unframed Ref: HAR100-202 Ha...

Hans Hartung (Germany, 1904-1989) Erker-Galerie, 1974 Woodcut on paper 27.6 x 19.7 in. (70 x 50 cm.) Excellent condition, unframed Edition of 0 Ref: HAR100-203 Hans Hartung was born...

Hans Hartung 1970s signed and numbered Very important signed and numbered colour lithograph Available one pair Title "Farandole" Signed lower left Numbered lower right XXVII/LXXV...

This exquisite lithograph by Hans Hartung (1904–1989), titled L differe-2 (The Deferred-2), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San L...

Title: L-5-1974 Medium: Lithograph Year: 1974 Signed, titled and inscribed by hand Size: 16.4 × 12.5 on 29.8 × 21.8 inches Hans Hartung (21 September 1904 – 7 December 1989) was a ...

The 1958 original lithography by Hans Hartung, titled "Composition noir L60" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph  Hand signed and numbered in pencil, 1970. Edition 34/75, From Suite "A, table II, Ediciones Poli...

Lithograph, 1957 Edition : 180 ex. Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : [RMM 99] 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 50.20 cm. x 31...

Hans HARTUNG Black and Yellow Composition Original Lithograph (Maeght / Arte workshop) Printed signature in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Gam...

Hans Hartung Composition with Lines, 1959 Original lithograph (Mourlot workshop) Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) Excellent condition

The 1958 original lithography by Hans Hartung, titled "Composition noir L43" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph.  Hand signed and numbered in pencil, 1970. Edition 40/75, From Suite ", table X, Ediciones Polig...

Hans Hartung (Germany, 1904-1989) Galerie Im Erker, 1966 lithograph on paper 26.2 x 25.6 in. (66.5 x 65 cm.) Excellent condition, unframed Ref: HAR100-201 Hans Hartung was born in L...

Lithograph, 1957 Handsigned by the artist in pencil and numbered 2/100 Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : RMM 98 65.50 cm. x 50.00 cm. 25.79 in. ...

Etching, 1973 Handsigned by the artist in pencil and numbered 71/100 Publisher : L'Herne, Paris Printer : Atelier Crommelynck, Paris Catalog : RMM 362 64.70 cm. x 49.80 cm. 25.47...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Color lithograph on Rives BFK wove paper, 1957. Signed by the artist in pencil, lower right margin, and numbered 96/100 in pencil, lower left margin. Published by Hedwig Marbach, B...

Hans Hartung, German (1904 - 1989) - Miro soir et matin, Portfolio: L'Emerveille Marveilleux, Hommage a Joan Miro, Year: 1973, Medium: Etching on Japon, signed and numbered in pen...

The present colour etching from 1953 is numbered ‘33/75’ in pencil below the platemark on the left, signed ‘Hartung’ on the right, watermark ‘Arches’ (in italics) at the bottom centr...

This original lithograph is hand signed in pencil by the artist “Hartung” in the lower right margin. It is also hand numbered in pencil from the edition of 114, at the lower left margin. This lithograph was printed by Erker Presse, St. Gallen and published in a limited edition of 114 signed and numbered impressions by Jean-Robert Arnaud, Paris. The paper bears the blindstamp of the printer in the lower left corner. Note: This subject is one of ten published in the folio ‘La peau des choses’ [The Skin of Things] in 1968. The folio also included works by Huguette-Arthur Bertrand, Cesar, Émile Gilioli, James Guitet...

Wood engraving, 1973 Handsigned by the artist in pencil and Annoted "HC" Publisher : Erker-Press (Saint-Gall) Printer : Erker-Press (Saint-Gall) Catalog : RMM 396 LCD3975

Rare lithography "Bois" 1962 Edition of 50, Paris. Signed “Hartung” in pencil l.r. Numbered “30/50” The lithography will be shipped without a frame.

Hans Hartung Barcelona 1971 Lithography Signed and numbered (8/75) Titled and dated 60 x 87 cm

Engraving by Hans Hartung Untitled 1971 Etching Copy H.C. (Hors Commerce) 105 x 75 cm.

Author: Hans Hartung. Title: Untitled. Year: 1971. Technique: Etching. Edition: Exemplary H.C. Size: 105 x 75 cm.

Pastel, 1961 Handsigned by the artist in pencil Certificate of authenticity Pastel, graphite and scratching Framed work : 57 x 72 cm Support: baryta cardboard laminated on wood pane...