Harold Miller Null Photography

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

'Synthesis' Limited Edition Black and White Archival Photograph. Unframed _________________ The wild Atlantic explodes in a raw release of energy, blurring the boundary between ocea...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Mushroom ~ 4FU, 1931 Silver Gelatin Print Edward Weston Print signed: Cole Weston Image size: 9 1/2 × 7 1/2 in; 24.1 × ...

Horses , Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnem...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Over the course of a 35-year career, Ian crafted captivating images and in recent years used archival techniques to produce his prints. For much of his professional journey, he thrived as both a Commercial and Fine Art photographer eventually focusing on his personal artistic work during his final years. Towards the conclusion of his life's path, Ian and his partner revived two 19th-century printing methods in their studio - Platinum Palladium and Gum Bichromate - culminating in a significant retrospective exhibition in Barcelona sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints were particularly noteworthy as they were printed on transparent vellum paper with pure gold or silver bonded to the back, rendering each piece a unique and timeless work of art. Through their artisanal techniques, they created rare and personalized works. Ian Sanderson was one of the few artists worldwide specializing in this type of production. Now, Ian's partner continues their shared legacy, still creating Platinum Palladium prints as well as silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape art...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality. The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Edition of 5 Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 53 cm / 15,75 x 20,87" - Edition of 5 56 x 75 cm / 22,05 x 29,53" - Edition of 5 75 x 100 cm / 29,53 x 39,37" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white Photography, 20th. Century, Archival Pigment Print, Hospitality, Forest, Monochromatic Landscape Art...

Large scale original art photograph of the Atomium, a landmark modernist monument building in Brussels, Belgium, originally constructed as the centrepiece of the 1958 Brussels World'...

'Awakening' Archival photographic triptych. Limited Edition of 25. Unframed. _________________ Morning light illuminates the layered landscape of Yosemite National Park, Half Dome gently awakens. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the ephemeral nature of all things. Each of three separate parts measuring 15 x 10 inches (Total of 3 parts 15 x 30 inches) Limited edition of 25 Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality archival art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Each printing is bespoke to order and can be printed on a single paper 15 x 30 inches. Please contact me for further information, or send a message with your order. Other sizes available * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact. ________________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago...

Hard Times (Bombay Beach, CA) - 2022 20x25cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with c...

Fireproof - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-48. Not mou...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Woodingdean ‘ who was captured on fil...

An abandoned car rusts quietly by the seaside, a relic of times past... This print captures the serene decay of a vehicle along a tranquil coast. A forgotten car stands as a testament to nature's reclamation. "Coastal Ruin..." "Time's Relic..." "Nature's Claim..." "Automotive Ghost..." "Forgotten Journey..." "End of the Road..." "Lost and Found..." "Remnants by the Sea..." "Rust Reverie..." "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...