Hazel Thomson Art

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

Georges BINET (1865-1949) Bords de Seine aux Andelys, 1905 Oil on canvas Size: 21 x 33 cm Signed and dated lower right Painting in perfect condition. Old gilded frame (some small chi...

Peaceful pastoral landscape by Abraham Hulk, the Younger (1844-1922), renowned for his landscape paintings with Dutch and English training. With his Dutch father as an artist, Hulk l...

Exquisite oil on canvas painting by artist Arthur Bowen Davies (American 1862-1928). The work depicts a young nude man walking through a lush green, ethereal landscape. Thick earth-t...

Aris Knikker (1887 - 19662) Dutch landscape with cows resting underneath a tree and windmill on the horizon Signed lower right A. Knikker Oil on canvas Di...

Landscape painting of The Trossachs, Scottish Highlands, 20th century is after renowned landscape artist Alfred De Breanski, Jnr, (1877-1955). As in this painting, De Breanski established a reputation for his distinctive vivid greens and color in impressionistic style within realism of his subject. This mountain scene with lake and watering cattle demonstrates the oeuvre of this artist, and also his father Alfred de Breanski Sr. This is a particularly beautiful landscape painting of Scotland, in a favorite natural region by Perthshire. 'The Trossachs' shows fine brushstrokes in the clouds, and area of raised paint over the ground. Light is captured on misty hillsides, and reflected in the water. De Breanski studied at St Martins School of Art, England, but had the benefit of his father, his mother and his Uncle who were all successful artists of their time, and their work continues to be highly sought after for the detail and light captured in plein art...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...