James Gale Tyler

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23 1/4" x 27 1/2" in frame. Signed lower right.

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored.

"The Beach at Norderney" Attributed to Andor Basch (1873-1944) Oil on Canvas Signed lower right 10" x 13" 16 1/2" x 19 1/2" in 23kt gold leaf frame

Excellent example of the artist's work. Overall condition good. Early lining is also good. The sky was possibly repainted (probably by Champney 100+ years ago). Period frame 26 1/2in...

Outstanding work by Bucks County artist David Hahn. The winter scene is of Bucks County Bridge painted with heavy imposto.

George Lambert (1863-1946) * Alternate title for painting is "Stonington Lighthouse". Signed lower right. Beautiful example of Lambert's best work. Painted very much in the style and...

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Mediterranean Cottages with Red Roof Tiles in Rural European Countryside by Irish Artist Art measures 7 x 4 inches Frame measures 13.5 x 10.5 inches Impressionistic painting usi...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...