Heinrich Kuhn Photography

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

Hand-crafted by world-renowned large format film photographer Bob Kolbrener. This image is available in the following sizes: 10x20 ($2,500) - 15x30 ($3,200) - 20x40 ($6,500). Please ...

This large, dramatic black-and-white photograph by one of the most important photographers of the 20th-century, Brett Weston, is perhaps the artist's most iconic image. This relative...

This vintage silver gelatin print is signed in pencil on the mount beneath the image. Printed in 1948 in an edition of 75 numbered copies. This print is from presentation set #33. Po...

This silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" (edition...

This silver gelatin print is signed, titled, dated, numbered and stamped on the front of the mount. Printed in 2022.

This photograph titled "The Cliffs, Sorrento" created 1912 in a black and white photogravure by American photographer Karl Struss, 1886-1981. The photogravure size is 6.20 x 8.20 inc...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

This early contact print is signed in pencil on the front of the mount with the artist's stamp on the back of the mount. One of Morley Baer’s greatest seascapes, this image was taken...

An abandoned car rusts quietly by the seaside, a relic of times past... This print captures the serene decay of a vehicle along a tranquil coast. A forgotten car stands as a testament to nature's reclamation. "Coastal Ruin..." "Time's Relic..." "Nature's Claim..." "Automotive Ghost..." "Forgotten Journey..." "End of the Road..." "Lost and Found..." "Remnants by the Sea..." "Rust Reverie..." "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

This silver gelatin print is signed in pencil on the front of the mount with title, date and numbering in pencil on the back of the mount. Likely printed c. 1970.

This vintage silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" ...

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with nature's embrace... This is a study in geometry, shadows, and time, this piece captures the quiet strength of a forgotten underpass. "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

This silver gelatin print is signed and dated in pencil on the front of the mount. Titled, dated and numbered "#7" in pencil on the back of the mount.

This contact print on 60-year-old single-weight Azo was made in 2020. This print is one of five known. It is signed and dated in pencil on the front of the mount, with title on the b...