Henning Koppel Wall Lights and Sconces

Stunning wall lamp from the 1960s. Very luxurious design and high quality workmanship. The lamp is a real asset and an absolute favorite for every home. A very sparkling light is cre...

A gorgeous pair of crystal sconces made in a collaboration between Danish light manufacturer LYFA and the Swedish glasswork Orrefors in the 1960s in great vintage condition. Often at...

Set of two brass wall lamps from the 1950s, produced by Danish lighting company Lyfa. These fine pieces of geometric design have adjustable brass shades and teak base. Condition of...

Wall lamp manufactured by Danish lighting company Lyfa, a household name, and designed by Bent Karlby. This modestly sized fixture is made from plated steel and is lacquered white. ...

A pair of one of Henning Koppel's most iconic designs, the Bubi light. Two shiny chrome and matte white acrylic Bubi lamps with striking green cord designed in 1972 by Henning Koppel...

Petronella lamp by Henning Koppel for Louis Poulsen, 1960s. Danish oil lamp in brass and white opaline glass. Designed by Danish designer Henning Ko...

Wall lamps model V-220 designed by Hans-Agne Jakobsson. Produced by Hans-Agne Jakobsson in Markaryd, Sweden.

A pair of functionalist / minimalist wall lights / sconces. Designed and produced in Denmark, 1950s. Other designers of the period include Le Corbusier, Charlotte Perriand, Paavo ...

Vintage ‘Saga’ wall sconce designed by Danish designer Kay Kørbing for the Danish lamp company Lyfa in the beginning of the 1970s. The glass was most likely made by Orrefors, Sweden....

These Lyfa-edition “Saga” wall sconces by Danish architect and designer, Kay Kørbing are true collectors’ pieces. By the 1950s, Lyfa had built an international reputation for original, high-quality, modernist lamps. In the postwar era, the company collaborated with esteemed architects and designers to produce minimalist, sculptural pieces including these lamps. Made of brass, metal, and crystal, the design of this model is entirely in the vein of modernism, while also sticking to the main ideals of Danish design, such as functionality. This can be observed in the lamps’ build that allows them to be faced either up- or downwards. The proportions are carefully thought out, with three main sections comprising the design. The three elements - the brass base, black metal shade holder, and the crystal glass shade - are clearly separated both by their shape, material, and colour. Most eye-catching are the Orrefors crystal glass shades in a peculiar shape that appear to be roll cut. Orrefors has been established in Swedish design tradition since 1898. Glass from the forests of Småland was incomparable: “Il n’y as que ça!” (There is nothing like it!) exclaimed the 1925 Paris World Fair. As these sconces showcase, the glass and shape are always in focus, combined with elegance, simplicity, and confidence. The predominantly round shapes are balanced by the square backplate. The artistic design is very honest in a purely Scandinavian manner, exposing the joinery and the materials’ natural qualities as well. This pair of “Saga” wall sconces is a stunning example of how the 1960s are still able to deliver modern "art" to any interior. The producer, Lyfa, produced some cabin lamps...

This fantastic Gothic III wall lamp was designed for Lyfa in the 1960's. It has a solid brass triplet shade, in the shape of the gothic architectural style that flourished throughout...

This design dates back to 1962 when Henning Koppel designed this light for his holiday home. It was taken into production by Louis Poulsen in 1965 and has been in production by them ...