Henri Bataille Furniture

Tabouret Jamaica conçu par Pepe Cortés et édité par Amat . Structure en métal avec assise pivotante. Structure à 5 branches en acier chromé, assise pivotante en aluminium ou fonte d’...

- Made in Czechoslovakia. - Made of wood, fabric. - Good condition - Cleaned.

Charming pair of oriental-style painted wooden stools.

Round table from the 1950s, attributed to Osvaldo Borsani. The table is foldable in its side parts. In fact we find under the table top two locks or brass mechanism that allow the tw...

A sculptural pair of French stools from the 1950s, embodying the raw materiality and structural clarity associated with early European Brutalism. Executed in solid wood with a deep,...

A pair of fine French 1940s X-form stool in cherry wood.

Table basse carrée conçue par Frank Lloyd Wright et éditée par Cassina. Réalisée en placage de bois, elle se distingue par sa structure géométrique évoquant une forme d’origami. La ...

Inspired by the traditional milking stools used by shepherds in the Alps, the Tabouret Berger stool was designed in 1961 by Charlotte Perriand. P...

This Italian teak dining table from the 1960s attributed to Ignazio Gardella is a significant example of the design of the era. The elliptical top is made of teak, characterized by w...

Mid-Century Japanese Free Form Stool or plant Stand Measures 11" in width, 11 " in depth and 16 " in height.

Vintage Gate Leg Dining Table attributed to Bruno Mathsson. I fine early design example of this gate-leg design. One notable difference f...

Heavy solid oak dining table attributed to Belgian maker De Puydt, featuring the robust, uncompromising construction characteristic of Belgian Brutalist furniture. The thick rectangular top sits on four substantial cylindrical legs that terminate in distinctive rounded, pointed feet with small metal glides. Pronounced oak grain runs across the top surface, with the amber-toned wood deepened through age. The design favors weight and materiality over ornamentation — no hardware, no decorative trim, just raw structural oak. De Puydt was among the Belgian workshops producing heavy, craft-forward oak furniture during the 1960s and 1970s, a period when Brutalist principles extended from architecture into domestic furnishings across Belgium and the Netherlands. The emphasis on mass, natural materials, and honest construction reflected a broader regional design sensibility that pushed back against the slick refinement of Scandinavian modernism. The table shows visible wear and fading to the top surface, consistent with age and use. Shown with a matching set of 4 Brutalist Oak De Puydt dining chairs...