Bernard Rancillac Furniture

Chaise longue. Made of mahogany wood; upholstered in beige velvet. Rests on four turned legs. Dimensions: 80x165x63 cm.

Elegant 19th-century French chaise longue in solid walnut with gold damask upholstery. Featuring a deep button-tufted backrest, scrolling ends, carved details, and brass nailhead tri...

Rolf Sachs lounge chair was made in black painted steel, padded cushions with pear violet upholstery in Germany 1990, it is a limited edition of 11 pieces, and this is the model Nr.1. Rolf Sachs (born 1955) - Swiss artist and stage designer and son of the famous Playboy Gunter Sachs...

This early twentieth century French Art Deco period chaise longue is constructed of bamboo and rattan and features a red and white striped pattern. The chair is fitted with two remov...

Artist: Roy Lichtenstein Title: Girl Portfolio: 1¢ Life Medium: Lithograph on white wove paper Date: 1964 Edition: 1217/2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 16 1/4" x 11 1/...

A superb mid 19th century English Chaise Longue by Holland & Sons - London c1840. Raised on 4 turned mahogany legs and the original Cope & Collinson gilt brass cup casters. One back ...

Afra & Tobia Scarpa "925" easy chair for Cassina, plywood and black leather, Italy, 1966. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and leather. The armchair is inspired by a sketch made in 1943...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

Romantic chaise lounge - 19th century. Portuguese; from the 19th century, fully upholstered in fabric; turned mahogany legs with casters. Dimensions: 75x163x69 cm.

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

This handsome pair of "Elephant" chairs by Weiman are in the manner of Vladimir Kagan. With their strong, undulating lines and powerful presence, they...

A 19th century country house chaise longue by Jas Shoolbred - London. c1880. Raised on 4 turned walnut legs with the original Shoolbred stamped casters. This example is from an earli...

Bruno Mathsson Pernilla lounge chair with patinated leather. Frame in beech. Made by DUX. 25 years annivesary model

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

Early production lounge chairs model 1715L designed by Warren Platner 1966 for Knoll. Both chairs are in very good original condition with bronze wire construction. The Platner Colle...