Henri de Waroquier Art

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

Suchitra Bhosle's "Cotton picker of Aurangabad, India" is an original, hand made oil painting that depicts an Indian woman picking cotton. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

Ernest LAURENT Gentilly 1859 - Bièvres 1929 Seated woman seen from behind, preparatory sketch Oil on cardboard Circa 1920 32 x 21.5 cm unframed Our oil o...

Signed oil on board portrait circa 1940 by French post impressionist painter Jean Gabriel Domergue. The work depicts a blonde lady - Audrey - in a mint green dress...

Salvador Dali - Mission Dolores - San Francisco - Original Hand-Signed Etching Title: Mission Dolores - San Francisco Drypoint Handsigned Dimensions: 65 x 50 cm Edition EA Catalogue ...

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

* No US duty or taxes to pay on works of art * A striking 1930's French post-impressionist oil on board portrait of a gentleman smoking a pipe by Antonin Guéton. Excellent quality...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...