Henry Hablak Art

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Double Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital...

"LarA 004" is an original sculpture from the LarA series by Spanish artist José Perozo, completed in 2024. Measuring 21 x 29 x 17 cm, this artwork merges the female figure with archi...

Bull III is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Ce dessin à l'encre et à l'aquarelle gouachée est une œuvre de l'artiste Marine Oussedik. Le dessin a les dimensions suivantes : 27 x 93 cm ; encadré dans un beau cadre en bois doré ...

Bull XII is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Vibrant figurative of abstracted fish in coral reef by John Stenvall (American, 1907- 1998), circa 1990. Signed left edge. Presented in gilt-toned frame ...

The images on the water towers are from the artist sketchbook. It was also a part of a wheatpaste street art initiative from 2020. During the COVID lockdown he wanted to inject a little bit of nature back in downtown New York. Referencing not only wildlife in general but also specifically from the neighborhood. In this series you might find dogs or cats from artists he personally knows but you might find a raccoon that somehow invaded the city. Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

Drawing on paper with colored pencils and ink on a layer of dyes extracted from plants. Created before taking a flight in Bolivia, infused with the magic of the Andes. Shipped unfram...

"Dont Belong Here" (FRAMED) Painting 18" x 24" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 18" x 24" inch Size framed: 20" x ...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

2025 Unique work on paper Acrylic paint on paper 76 x 56 cm Mint condition, housing in the original packaging David Shrigley (born 1968) is a celebrated British visual artist. His w...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...