Henry Lerolle Art

Howard Daum Factory Along the River, 1937 Signed and dated lower right Watercolor and pencil on paper 12 x 13 3/4 inches Provenance The artist Ashby Gallery, New York Carl Ashby, Ne...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

Gouache of a French cityscape titled "Street in Gordes France" by Sylvia Davis. This piece was originally part of the lending and sales gallery of the Memorial Art Gallery of the Uni...

Frank Nelson Wilcox (American, 1887–1964) Riders Near Camel Rock Monument, Santa Fe, New Mexico, c. 1937 Watercolor on paper Monogram lower right, titled verso 14.5 x 20 inches 18....

NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) New York City Skyline 14 x 21 1/2 inches Watercolor on paper, c. 1...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany i...

Frank Nelson Wilcox (American, 1887–1964) Red Cliffs and Hogan, Arizona, 1937 Watercolor on paper Signed and dated lower right 14.5 x 19 inches 18.5 x 24 inches framed Frank Nelso...

Frank Nelson Wilcox (American, 1887–1964) Flats Near Isleta, c. 1937 Watercolor on paper Signed lower right, titled verso 14.5 x 20 inches 18.5 x 24 inches framed Frank Nelson Wil...

Apparently Bendiner never went a day without drawing. He was amazing! From Bendiner's Philadelphia the New Jersey beaches were an easy drive. Avalon is st...

Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...