Herb Ritts Art

Pair of Lucite / Acrylic bookends by Ritts and Co. - super sleek and perfect for any space. Especially good for the modern or minimalist space. The pair a...

Powder-Coated Creamy White Set of Mid-Century Sailboat Bookends Substantial in size and weight, these solid vintage brass newly powder-coated boats are both form and function. Fabu...

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...

This stunning pair of Mid-Century Modern ”Astrolite" bookends were realized the Ritts Co. of Los Angeles, circa 1970. They offer faceted, sculptural forms in ...

Pair of Italian scroll top lounge chairs with brass legs newly upholstered in ivory color Holly Hunt velvet. Italy, 1950s. Matching sofa is also ava...

Sculptural brass Ben Seibel for Jenfred bookends, circa 1950s. A freeform, organic design in brass finish with applied patina that has deepened over time giving them an even more ric...

Paul McCobb style chairs very angular with sharp edges and sprawled maple legs and new firm upholstery.

Strange Math (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Certif...

A nice pair of MCM lucite "aquarium" bookends, circa 1970s. The pair are in very good vintage condition and would make a great addition to any mid-century study or library! They meas...

Edward J. Wormley lounge chair and ottoman for Dunbar circa 1950s on solid brass castors. The lounge chair has a trapezoid shape, wider in the front (27.5" W) and tapers to the back....

Thick Lucite Mid-Century Bookend Set, 1960's. These heavy Lucite bookends with beautiful beveled edges almost glow when the light hits them. Polished and substantial, this pair is an...

A pair of reclining lion bookends, a stunning pair with the look of limestone, but a composition material. The pair are of good weight for those larger bo...