Herb Ritts Art

Pair of Lucite / Acrylic bookends by Ritts and Co. - super sleek and perfect for any space. Especially good for the modern or minimalist space. The pair a...

An absolutely amazing pair of large-scale club chairs, circa 1970. Diagonally applied reed Bamboo veneer over Mahogany frame construction. Aged to absolute perfection. These stout, e...

These two chairs have an amazing Italian style, with sexy curves contrasting with the boxy shell. Two-tone fabrics enhance the dynamics of the shell, creating a very exciting piece. ...

Strange Math (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Certif...

A pair of Brazilian modernist chairs by Móveis Cimo, circa late 1950s. Sculpturally crafted from rosewood and featuring original camel-hued l...

A nice pair of MCM lucite "aquarium" bookends, circa 1970s. The pair are in very good vintage condition and would make a great addition to any mid-century study or library! They meas...

Jungle Boy (Back in the 80's) - 1999 48x46cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...

The quintessential distillation of American Pop culture in the eighties, "Pictures" by Herb Ritts, circa 1988. The book is in very good vintage condition and measures 11.25" x 14.5". A must have! #4282 Herb Ritts was an American fashion photographer who concentrated on black-and-white photography and portraits in the style of classical Greek sculpture. Consequently some of his more famous pieces are of male and female nudes in what can be called glamour photography. Ritts was born in Los Angeles, California to a prosperous family. His parents, Herb and Shirley Ritts, owned a successful furniture business. He received an economics degree from Bard College in upstate New York in 1974 and soon after returned to Los Angeles to work as a sales representative for his family's business. He came out as gay to his parents while in college; they were accepting and supportive. However, Ritts started taking night classes in photography and decided to dedicate himself to the art in the late 1970s. His first break into the business occurred as a result of taking portraits of his actor friend Richard Gere. These photos gained national exposure on the covers of many magazines. Throughout the 1980s and 1990s he worked with magazines such as Harper's Bazaar, Rolling Stone, Vanity Fair and Vogue on portraits of famous people and artistic photos of models. Subjects of his black-and-white celebrity portraits included Kofi Annan, Cindy Crawford, Tenzin Gyatso (the Dalai Lama), Madonna, Jack Nicholson and Elizabeth Taylor. In 1981, Ritts took photos for the album cover of Olivia Newton-John's Physical. He started his long term collaboration with Madonna in 1984, when he shot the ad for her movie Desperately Seeking Susan. In 1984, he photographed Eagles drummer and vocalist Don Henley for his second solo album Building the Perfect Beast. In 1986, Ritts shot the cover photo of Madonna's True Blue album. He later ventured into the world of music video at a suggestion of Madonna and filmed her video "Cherish". In 1988, he photographed Steve Winwood for his Roll With It album. In 1989, he photographed Belinda Carlisle...

150,000 Dollars (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Ce...

A pair of reclining lion bookends, a stunning pair with the look of limestone, but a composition material. The pair are of good weight for those larger bo...

Completely re-upholstered to new condition.