Hertha Bengtson Bowls and Baskets

A very nice little vintage ceramic plate, made by the very well-known designer Olle Alberius, known as "Kurbits" from Rörstrand, Sweden. Alberius ceramic always has a special feeling, the shapes are simple, but the glazing is just stunning, the pattern is slightly abstract, yet knowing that Alberius has used a traditional style of folklore decoration known as Kurbits, one can see where he got his inspiration from. All off his objects are individual since they are hand painted. The price includes free shipping. The color is just stunning a dark blue color has been used against a pale gray background and there are also some dark brown and purple details as well as black details. It is around 20cm (7.87") in diameter and 2,5cm (0.98") high. It is in a very good condition. Between the years 1957 - 1965, Olle Alberius worked in Strömstad as a designer at SYCO keramik, where he created a large number of dishes, figurines, vases and bowls. He later works at Rörstrand, and between 1963 and 1965 he was employed at both SYCO keramik and Rörstrand. Alberius was attached to Rörstrand's Porcelain Factory in 1963–1971, where he worked partly with handicrafts and partly with tableware in flint and feldspar porcelain...

Beautiful large stoneware bowl by Danish artist Conny Walther. Made in 1970s. Great colour plate in this glaze. Other mentionable ceramic artists fro...

This large unique bowl has a wonderful glaze. It’s made in Sweden at Rörstrand and designed by Carl-Harry Stålhane. There is only one of its kind and is therefore a spectacular piece...

The Ceramic Vase by Hertha Bengtsson for Rörstrand is an exquisite and timeless piece of artistry, designed by the renow...

A signed rare abstract Scandinavian Mid- century modern art ceramic plate made by Inger Persson in the 1960s for Rörstrand, Sweden. This is a studio production and has an unusual pat...

French ceramic decorative bowl by the Frères Cloutier (circa 1970s). A charming decorative bowl created in one of the trademark colours of the Cloutier...

Decorative metal vide poche

Large beautiful stoneware bowl handmade at Søholm Stoneware, Denmark in the 1970s. The bowl is hand decorated with a Japanese inspired floral motif depicting a stylized "Lily of the valley" and finished with a wonderful speckled glazing. Soft earth tones. Stamped underneath. The Søholm Pottery on the small island of Bornholm in Denmark was established in 1836 and closed in 1996. They were one of Denmarks finest ceramics workshops. With traditional names such as "Søholm", "Michael Andersen" and "Hjorth's Keramik", Bornholm has managed to place itself heavily on the Danish map within ceramics and handicrafts. Just like Japanese ceramics, Bornholm ceramics...

Elegant tray with organic form in polished bronze exterior and brushed bronze inside. A smaller version is also available. Anasthasia Millot’s new collection of delicately and rigo...

Ceramic decorative vide poche

Glazed stoneware vase by Hertha Bengtson for Höganäs Keramik. Sweden, 1950’s. Signed.

A beautiful stoneware vase with amazing hand-painted decor. Made by Hertha Bengtson for Rörstrand, Sweden, 1950s. Excellent condition. Signed 'Bengtson' and 'R' för Rörstrand. Hertha Bengtson (1917-1993) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Rörstrand factory in the 1950s. Bengtson is represented at the Swedish National Museum of Art and Design. Hertha Bengtson was born in Ysane in Blekinge and grew up on a farm with her four brothers. Her parents were Henning and Asta Bengtson. Her father was a jack-of-all-trades and ran both a mink farm and a shop alongside his farm, which was the least of his interests. Her mother, to whom Hertha Bengtson was very close, was a skilled weaver. Hertha Bengtson's interest in textiles and handicrafts came from her mother. From her grandmother she inherited Scanian country textile knowledge and from her grandmother’s neighbour she learned to tat the Scanian way, without patterns. Upon completing her education at a girls’ school, Hertha Bengtson wanted to become a drawing teacher. However, there was no money to continue her formal education. Hertha Bengtson achieved top marks in drawing and handicrafts and therefore gained a place as a handicrafts teacher at one of the region’s elementary schools. During her time at the girls’ school, she had also taken evening classes in porcelain painting. In 1937 she applied to Hackefors’ porcelain factory in Linköping where she became employed as a pattern designer. Hertha Bengtson was interested in all aspects of the factory and when the men were called up for military service at the outbreak of the Second World War, she became head of her department at age 22. Hertha Bengtson wanted to create her own porcelain. She applied to and became employed at Rörstrand’s porcelain factory in 1941, where she started as a pattern designer but quickly became a master designer. Hertha Bengtson’s ability to combine beauty with function was fundamental to her success as a designer. Her breakthrough came with the innovative blue-and-white tableware...