Hidetaka Ohno

These Indian miniature paintings showcases an elegantly dressed Indian man and a lady, the lady elegantly dressed in a traditional sari and adorned with int...

Silver paper folding screen Material: Paper pasted on wooden frame 1 piece: Width 600 x Height 1715 x Depth 20 mm Expanded size: Width 3580 mm Folded size: Width 600 x Height 1715 x ...

Tozaburo Ohno (大野藤三郎) A Japanese-style painter known for his refined depictions of koi carp and seasonal flowers. Born in 1917 in Osaka (though some sources cite Kyoto), he studied ...

Chinese Coromandel figural red lacquer 12-panel screen depicting pagoda and landscape scenes, decorative gilt floral border panels, gilt carved lower panels, and reverse side depicti...

Silver paper folding screen Material: Paper pasted on wooden frame 1 piece: Width 440 x Height 1160 x Depth 15 mm Expanded size: Width 2640 mm Folded size: Width 440 x Height 1160 x ...

A set of six chinoiserie panels lacquered in a deep red with accents of gold and teal blue. This work of art depicts a lively scene and intricate det...

Okada Yosai (1785–1864) Red and White Plum Blossoms Pair of six-panel Japanese screens. Ink and silver leaf on paper. Dimensions (Each Screen): H. 105.5 cm x W. 270 cm (41.5” x 10...

Tozaburo Ohno (大野藤三郎) A Japanese-style painter known for his refined depictions of koi carp and seasonal flowers. Born in 1917 in Osaka (though some sources cite Kyoto), he studied ...

Anonymous Late 17th Century Battle of Ichi-no-tani & Yashima Dimensions: Each Screen: H. 175 cm x W. 385 cm (69” x 151.5”) This pair of Japanese screens depict two significant battles from the Genpei War (1180–85), as recounted in the Tale of the Heike, a semi-historical epic chronicling the conflict between rival clans for control of Japan, written in the early 1200s. Each screen portrays a single battle through a series of small episodes, framed by gold clouds, landscape elements, and architectural features. True to the style of many screens inspired by The Tale of the Heike, the scenes are rendered in lavish colors and gold, downplaying the brutality of the warfare. Although based on real events, these narratives often glorified and romanticized the heroic feats of the warriors. Viewers at the time would have been familiar with the story’s details, leading to a proliferation of paintings on folding screens inspired by this theme from the late Muromachi to the early Edo periods. On the right screen, we see the Minamoto’s attack on the Taira, who have retreated from the capital, Kyoto, toward the sea. The central building represents the temporary Taira headquarters, where Taira soldiers are holding the young Emperor Antoku. The Minamoto plan to launch a surprise attack from the rear after descending the steep cliff known as Ichi-no-tani, depicted at the top center. This scene highlights the tactical brilliance of Minamoto commander Yoshitsune and the courage of his men. The left screen captures moments from the Battle of Yashima...

A Chinese two-panel screen from the early 20th century, with carvings, gilt motifs and calligraphy. Created in China during the early years of the 20th century, this screen features ...

Mid Century Abstract Geometric Oil and beeswax painting. This is an absolutely gorgeous, original, vintage work of art on joined wood panels by David Ortins 1989. The painting is in...

Chinese Paravent, Art Deco style, China red lacker, main frame in black lacquer, base material wood, can be used as room divider as back side as a dec...