Hiroyuki Tajima Art

Group of four Japanese miniature woodblock prints mounted in one mat. Torii gate, woman with umbrella, shrine and evening scene. The night...

About A collection of 17 small individual metal and wood typeset print blocks used in advertising. Sold as a set. Creator: Unknown. Date of manufacture: c.1940. Materials ...

This wonderfully designed, abstract work by esteemed Japanese printmaker Tadashi Nakayama. The print is pencil signed, numbered (13/80), dated 1963, stamped on the verso by the artist, and embellished with metallic pigments. It is an uncommon and hard to find work. Nakayama has exhibited internationally in cities such as Rome, Tokyo, Krakow, Milan, and his works can be found in museums around the world including: Art Gallery of New South Wales, Australia. Cincinnati Museum of Art, Ohio, USA. fine Arts Museum of San Francisco - Achenbach Foundation for Graphic Arts, USA. Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA. Honolulu Academy of Arts, Hawaii, USA. Library of Congress, Washington, D.C., USA. Philadelphia Museum of Art, Pennsylvania, USA. Western Australian Art Museum, Perth...

Japanese Meiji period framed set of three woodblock prints from the 'Plum Garden' series, made by Toyohana Chikanobu (1838-1912). An example of this print is at the Kanagawa Prefecture Museum in Yokohama. The set dates from circa 1880. The first signature on the lower left corner is the publishers' name and address (Takegawa Unokichi), the second one in the upper right corner is the date 1889 and the third one in the lower right corner is 'Japanese Plum...

A Classic image by renowned Japanese printmaker Utagawa Toyonobu from his newly selected history of Toyotomi Hideyoshi series. A very good impres...

1960's Japanese woodblock print titled " In front of the garden" by Japanese asian and modern & contemporary artist Tomizaburo Hasegawa. The Art work is signed, titled and dated in ...

Artist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...

About A collection of 25 small individual metal and wood typeset print blocks used in advertising. Sold as a set. CREATOR Unknown. DATE OF MANUFACTURE c.1940. MATERIALS AN...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Shipping on request This impressive offset lithograph by Serge Poliakoff, a significant figure in abstract art, captures the powerful dynamism of his work. The skillful interplay of ...

An antique Japanese woodblock print from the 19th century depicting a woman in the woods. Created in Japan during the 19th century, this woodblock print showcases an outdoor scene de...

"Shapes of Noyo" Woodblock Print on Paper (Artist's Proof) Bold woodblock print by notable artist Emmy Lou Packard (American, 1914-1998). Large dark grey shapes are placed over a lighter grey background. Both of them have strong woodgrain texture. There are this white shapes floating around the composition, with a large block of blue in the upper right corner and a smaller block in the lower left. Titled, numbered, and signed along the bottom edge: Shapes of Noyo Proof Packard Presented in a dark wood frame with a grey mat. Frame size: 18.75"H x 26.75"W Image size: 11.5"H x 19.5"W Emmy Lou Packard was born on April 15, 1914, near El Centro, California. In 1927, the Packard family traveled to Mexico. Emmy, then 13 years old, was already painting and drawing. Her mother introduced her to artists Diego Rivera and Frida Kahlo, marking the beginning of a long friendship and mentorship. In 1934, she eloped to Nevada with the architect Burton Cairns, a recent graduate of the University of California, Berkeley. In 1936 Packard graduated from the University of California, Berkeley with her bachelor's degree and later studied sculpture, mural and fresco painting at the San Francisco Art Institute. In 1939, her husband died in a car accident. After his death, she traveled to Mexico to live with Rivera and Kahlo, working as their studio assistant. During the time she stayed with Rivera and Kahlo, she took a number of photographs of the couple. When Diego Rivera came to San Francisco in 1940 for the Golden Gate International Exposition (GGIE), he asked Emmy to be the chief assistant for painting the Pan American Unity mural. Between 1944 and 1945, she briefly worked as an illustrator of a labor newspaper for the San Francisco Bay Area shipyards. Packard designed and executed the mural on the exterior of the dining commons at the University of California, Berkeley in the Lower Sproul student union center. She also designed the terrace parapet which is embellished with an 85-foot long, 5-foot high, bas-relief, Modernist mural depicting California landscape features, including coastal bluffs, cultivated fields, mountains, and rivers located in the central façade of Chávez Student Center at the University of California, Berkeley in the Lower Sproul. On May 29, 1959, she married artist Byron T. Randall; they divorced in 1972. Packard was an active community member in the Mission District of San Francisco and San Francisco's community mural movement. In 1974 she served as a mural technical adviser for the Bank of America building mural located at Mission Street and 23rd Street; the local artists that painted this mural are Jesús “Chuy” Campusano, Luis Cortázar and Michael Rios...