Holly Hunt Ottomans and Poufs
The success of Holly Hunt — both the designer and her eponymous empire of textile and furnishings showrooms — is based on instinct.
The Chicago-based Hunt trusts her own tastes, reflected in her signature lines of elegant, low-key furniture, lighting and fabrics. She also trusts her judgment about the wants of the buying public, and this savvy sensibility has allowed her to cultivate and market the work of a range of contemporary talents, from minimalists like Christian Liaigre to eccentrics like Christian Astuguevieille.
Hunt is a design world impresario — a prominent arbiter for stylish modern interiors and known foremost for fabrics, seating designs and light fixtures. Modern sophistication, attention to detail, and a desire to cultivate talented contemporary designers are at the crux of the company’s success.
Born in central Texas to schoolteacher parents, Hunt was a creative girl who made her own clothes and bickered with her mother about decor. After graduating from Texas Tech, Hunt worked as department-store buyer and costume jewelry designer before marrying and helping her husband build a multimillion dollar transport company. Her hobby was decorating their homes. After the two divorced, Hunt purchased a showroom in the Chicago Merchandise Mart in 1983. Within 10 years, she was winning applause for her understated designs, her lavish showroom parties and her eye for rising design stars. Liaigre was her first discovery. Correctly surmising that his pared-down furniture in dark wood would play well in the United States in the aftermath of the go-go ’80s, Hunt began marketing the French designer’s work in 1994.
Over the subsequent years Hunt has added a half-dozen showrooms and, following her own style barometer, has taken on other fresh talents, including glassmaker Alison Berger, French designer Christophe Pillet and couturier Ralph Rucci, making a foray into home design.
One constant over that time have been the aesthetics of Hunt’s own designs. Her fabrics — the first choice of many dealers when re-upholstering vintage seating — are understated, mixing muted colors and updates of classic patterns. Her furniture is simple and refined. As you will see on 1stDibs, the name Holly Hunt represents a sense of timelessness and sophistication.
21st Century and Contemporary Portuguese Mid-Century Modern Holly Hunt Ottomans and Poufs
Oak, Bouclé, Leather, Fabric, Walnut
21st Century and Contemporary Portuguese Mid-Century Modern Holly Hunt Ottomans and Poufs
Leather, Bouclé, Chenille, Jacquard, Oak
1940s American Modern Vintage Holly Hunt Ottomans and Poufs
Stainless Steel
21st Century and Contemporary Holly Hunt Ottomans and Poufs
Bronze
2010s Turkish Mid-Century Modern Holly Hunt Ottomans and Poufs
Wood, Oak
21st Century and Contemporary Ukrainian Modern Holly Hunt Ottomans and Poufs
Steel
21st Century and Contemporary American Holly Hunt Ottomans and Poufs
Iron
Mid-20th Century American Mid-Century Modern Holly Hunt Ottomans and Poufs
Faux Leather, Walnut, Lacquer, Upholstery, Wood, Hardwood
2010s Australian Scandinavian Modern Holly Hunt Ottomans and Poufs
Sheepskin
1990s American Art Deco Holly Hunt Ottomans and Poufs
Wood
2010s Portuguese Organic Modern Holly Hunt Ottomans and Poufs
Bouclé
2010s American Modern Holly Hunt Ottomans and Poufs
Steel
2010s Portuguese Organic Modern Holly Hunt Ottomans and Poufs
Bouclé
21st Century and Contemporary Ukrainian Modern Holly Hunt Ottomans and Poufs
Foam, Fabric, Plywood
21st Century and Contemporary Ukrainian Modern Holly Hunt Ottomans and Poufs
Fabric, Plywood, Foam
2010s American Mid-Century Modern Holly Hunt Ottomans and Poufs
Fabric
21st Century and Contemporary American Modern Holly Hunt Ottomans and Poufs
Hemp
Late 20th Century French Mid-Century Modern Holly Hunt Ottomans and Poufs
Oak, Leather
21st Century and Contemporary American Modern Holly Hunt Ottomans and Poufs
Leather
21st Century and Contemporary American Modern Holly Hunt Ottomans and Poufs
Leather
Early 2000s American Modern Holly Hunt Ottomans and Poufs
Upholstery