Horace Bristol Art

Vintage portrait of Monica Vitti is a vintage black and white photo realized in 1970s by Agenzia ANSA. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in ...

Vintage b/w photograph realized by David Macey in 1990s. Copyright and provenance: Playboy. Excellent condition.

Olivetti electronic writing system is an original photograph realized by an Anonymous photographer in the Early 1980s. Typed notes on the rear, the description in Italian " Olivetti...

Vintage Portrait of Monica Vitti is a vintage b/w photographic print on single-coated paper. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dra...

Vintage Portrait of Monica Vitti along with Tony Curtis is a vintage b/w photograph realized by Agenzia ANSA in 1960s. Good condition. Monica Vitti is born in Rome on November 3, 19...

Monica Vitti and Franco Carraro is a vintage black and white photograph realized by Agenzia Giornalistica Italia S.p.A in the 1980s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Italy-Iran Politicians Meetingis an original Balck and white photograph realized by an Anonymous photographer. With the stamp of "Associated Press" on the rear. Good conditions. The photo is capture while Mohammad Reza shah...

Countryside, 1988 by Roberta Fineberg is a black-and-white documentary-style portrait of a French woman in the countryside. In northeast France, in the Haute-Marne, the subject is ph...

A black-and-white photograph (analog) of a Parisian magazine/newspaper shopkeeper who exhibits a unique brand of French quirkiness and expressiveness in Paris of the 1980s. Shot on film, Shopkeeper, 1989 by Roberta Fineberg is a 14” x 11” gelatin silver print in an edition of 5. Signed, dated, and titled on recto (photo front) by the artist. Provenance: RF Studio *** Artist's Bio: Roberta Fineberg (RF) is a New York-based visual artist whose multidisciplinary practice explores serendipity, experimentation, and the evolution of ideas through color, material, and process. Working across photography, drawing, installation, video, and abstraction, she investigates themes of impermanence, play, memory, and transformation. Embracing chance as an essential creative force, her work invites viewers to reconsider the relationships between observation, experience, and the physical world. Fineberg’s exhibitions include Women of Spirit at Zurcher Gallery, New York (2025); Gallery128, New York (2025); Collecting: An Art Fair at Westbeth Gallery, New York (2024); Sojourner Gallery, New York (2022); Phyllis Harriman Gallery (2020, 2022); CADAF Online Art...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

Vintage Portrait of Monica Vitti is a vintage b/w photographic print on single-coated paper. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dra...

Vintage Portait of Monica Vitti and Claudia Cardinale is a vintage b/w photograph realized by Agenzia ANSA. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...