Imants Vecozols Art

Sir Matthew Smith, CBE (British, 1879 – 1959) Still life with sculpture oil on board 21.1/4 x 23.3/4 in. (54 x 60.3 cm.) Provenance: Removed with the contents of his Aix studio, by Marion Monay, tfor the aertistin early 1940, to Beauchene, the nearby house of fellow artist Harry Morton Colvile (1905-1992) Given by the artist toColvile in January 1946 along with otherstudio effects. Given by Colvile’s only child, Professor Georgiana Colvile (1943-2018) to the present owner circa 2000 Literature: Alice Keene, ‘The Two Mr Smiths, The Life and Works of Matthew Smith’, 1995, pp.61,65,70 & 128 When in early 1940 Smith went back to Aix to pack up and close his studio there and send back to London all the paintings possible, the residue was hidden (see Literature, Keene 1995, p.61,65 &70) in various locations around Aix by Marion Monay, a good deal at Beauchene the house of his and her friend Harry Colvile who had been Monay’s lover prior to Smith (see Literature, Keene 1995, p.59) In 1946 with the war over, Smith went to Aix to retrieve all he could manage to ship back to England but what he had to leave at Beauchene he give to Colvile, including the clay female...

Antique Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on ...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

A painting from the popular "black table" series by Darius Yektai.

French Still Life With Flowers Bouquet Oil on masonite, signed, original vintage frame. Edith Faucon was born on May 24 in 1919 in Carentan France. She owes her artistic training f...

This contemporary expressive impressionist abstract floral painting, Roses and Two Apples, is a radiant work by French artist Natalya Mougenot, known for her emotionally intuitive an...

This contemporary post-impressionist floral painting, "Summer’s Orange Bloom", with a touch of expressionism and art brut, was created by the French artist Natalya Mougenot. Vibran...

This superb Post Impressionist floral oil painting is by noted successful Russian born female artist Nadia Benois. Benois came to England and settled in L...

Signed still life oil on canvas circa 1920 by French post impressionist painter Hippolyte Petitjean. depicting a beautifully coloured view of a vast landscape. The piece depicts a green jug, a bowl of red apples, a brown two-handled jug and a vase of flowers, all placed on a wooden table. Several landscape paintings adorn the wall behind. Signature: Signed with cachet lower right and again verso Dimensions: Framed: 26"x30" Unframed: 18"x22" Provenance: Galerie de l'Institut - Centenary Exhibition of Hippolyte Petitjean (1955 ) - original labels verso Hippolyte Petitjean started his training in Mâcon and then became a student at the École des Beaux-Arts, Paris, where he worked in Cabanel's studio. By selling two Seurat paintings...

“Yellow Pears” painting is a refined example of classical still life, where beauty comes from balance, simplicity, and careful use of color. The composition is built on the contrast ...

Beautiful signed divisionist oil on canvas landscape by sought after French post impressionist painter Henri Martin. The depicts pink and yellow dahlias in a garden, set beautifully ...

"Irises Roses Unite" Oil Painting by French Artist Natalya Mougenot Contemporary Floral Art on Cardboard (33x27x0.3 cm 13"x10.6"x0.1") This vibrant floral painting is part of her...