Isidore De Rudder Decorative Objects

Bronze Equestrian Sculpture of a Jockey After Isidore Jules Bonheur Description Bronze equestrian sculpture depicting a jockey mounted on a walking horse, after the model by Isidore...

A beautifully cast Art Nouveau dark brown patinated bronze bust of a young African mother tenderly holding and breastfeeding her baby. The bronze is signed Gardon an unlisted scul...

A finely modelled French Art Nouveau bronze bust of "Cendrillon" by Emmanuel Villanis, France, circa 1900. This compact patinated bronze depicts the romantic heroine Cinderella as a ...

This antique cow sculpture composition was created in France, circa 1895. Set on an oval base, the bronze sculpture features a standing cow looking at its baby calf suckling milk. Th...

Fée de Printemps (Spirit of Spring) by Mathurin Moreau (1822-1912) Signature and foundry stamped to base Marked "Exposition universelle de 1889" E. Colin & Cie, Paris foundry

Beautiful terracotta bust from the factory of Friedrich Goldscheider from the art nouveau period. Girl with flowers. Polychrome terracotta It represents a female bust with her head t...

CESARE CONSTANTINO CERIBELLI Italian, 1841-1918 "Bust of a Young Woman" Polychromed and chemically patinated bronze signed to the reverse shoulder "C. Ceribelli" raised on origin...

An exceptional casting and finely patinated bronze sculpture of jockey on thoroughbred racehorse by Isidore Jules Bonheur (1827-1901), measuring 24 in tall, 26 in wide and 6 in deep....

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...

Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth ADDITIONAL INFORMATION Height: 33 cm Width: 16 cm Depth: 11 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 17 SKU: 8616 ABOUT Puccini's Opera - La Bohème SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

A well-modelled bronze bust depicting a young woman wearing a traditional regional bonnet and layered dress, rendered with finely detailed textures throughout the fabric and headwear...

Janotte, an Art Nouveau, patinated bronze bust of a young lady with head scarf. Dark brown patination. Set on an integral plinth. Signed Villanis under shoulder. Signed Villanis u...