Ivana Gaifas Art

Tracey Emin Be Faithful To Your Dreams, 1999 Limited Edition Embroidered Cotton Handkerchief with embroidered signature and accompanying card Embroidered date and signature, Edition of 500 16 × 16 inches Unframed (folded in packaging) Rare vintage collectible...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...

This piece titled "And Then There Were Two" is an original piece by Lindzeanne and is made from hand embroidery, white cotton thread, and antique textiles This piece measures 17.25”h...

The connection between love and embroidery is nowhere stronger than among the minority peoples of China. Hand-stitched by a mother herself or gifted by the women in her family, the t...

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.

L.A.S. (Lettre Autographe Signée) Autograph Letter Signed by A. Masson to N. Jacometti. Paris, 22nd November 1949. One page. 27 x 20.9 cm. In 8°. In French. Perfect condition, with u...

Late 19th century Chinese silk embroidery with gold, silver and coloured threads, depicting two finely detailed dragons and other various symbols. The dragon's claws are each five fi...

Manifeste technique de la sculpture futuriste. Edited in Milan, April 22, 1912, and printed in September of the same year. Written by Umberto Boccioni (Reggio Calabria, 1882– Chievo,...

Hand-machine knitted thread, fluid acrylic, burlap on dyed fabric 16.5 x 17 inches framed Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

Angelica Raquel is a multidisciplinary artist living and working in San Antonio, Texas. She earned her MFA from The University of Texas at San Antonio and a BFA from Texas State Univ...

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.