Jacinto Moros Art

Victor vasarely Geometric structure black Silkscreen printing Numbered 16/50 Noted fv and signed by the artist Circa 1975 85x76 cms 1400 euros

Vasarely - Kinetics 4 Silkscreen printing Vasarely Foundation numbered 14/50 Circa 1965 76x85 1300€

Kandinsky at Galerie Karl Flinker - 1977 Exhibition Poster - in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted i...

Wave III, is an exclusive handmade cyanotype horizontal diptych that captures the gentle curl of an organic mid-motion wave. Rendered in deep Prussian blues and ethereal whites, the...

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

Original Vintage Event Poster created 1967 by one of the best known Japanese graphic artists, Yusaku Kamekura; in 1960 he was a founding member, then ...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...

David Morris Minuamo Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

Fritz Glarner Tondo 1964 Original Color Reproduction on Velin d'Arches after painting Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Pr...

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. Signed L. Siekman, titled Jupiter Four and numbered 9/10. It is part of a ...

Yvaral (Jean-Pierre Vasarely) Lithograph - 1978 Signed by the artist in pencil Numbered in pencil by the artist XXII/C Annotated in pencil 77 x 77 cms 890 euros

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...