Jacques Hitier Seating

A 1950s club armchair attributed to Jacques Adnet. Newly upholstered in premium, pure, taupe Alpaca fabric. Fast shipping worldwide.

1950s Danish 3-seat sofa or daybed Lovely 1950s part wood framed sofa in very good condition, it has blanket storage underneath and folds down into a very useful daybed Measure...

French chair made in wicker in the 20th mid-century on a black painted base. Good condition with few gaps Shipping: 69 / 70 / 72 cm 5.4 kg.     

Daybed by Jacques Adnet black stitched leather and brass France circa 1950 Excellent condition, wear consistent with wear and use Upholstered with black leather Available to view in...

A rare set of 2 fibreglass chairs by Rene Jean Caillette. Brown background and multicolour floral pattern. Designed and produced in France between 1950-1959. René-Jean Caillet...

Set of hunting chairs and matching table - 1950s Mid-century hunting chairs set of three made in the 1950s in Sweden. The back of the chairs are made of two deer antlers while the l...

Step into the refined charm of mid-century France with this exquisite French armchair. A masterclass in design and proportion, this piece seamlessly blends functional simplicity with...

Beautiful ‘Minimalism’ solid Teak wood Daybed comes with two drawers very good condition . legs can be removed . 1950s Holland . The drawers can be removed for a sleeker design . ...

An arresting study of balance and tension, this sculptural chair defies the boundaries of conventional seating. With its woven rattan surface and sinuous iron frame, it evokes both organic fluidity and geometric precision, standing as an artifact of experimental postmodern design. Of Italian provenance and dating to the 1960s, the chair reflects postmodern and Brutalist influences. The interplay of handwoven rattan and blackened iron creates a striking contrast, each material imbued with an inherent honesty that deepens over time. The chair’s composition is a dialogue between weight and weightlessness, structure and softness. The finely woven rattan, marked by the passage of time, bears subtle tonal shifts and a patina that speaks to its authenticity. The iron frame—minimal yet expressive—outlines the form with architectural clarity, emphasizing negative space and sculptural intent. Aged imperfections, from the gentle fraying of the rattan to the darkening of the iron, enrich its character rather than diminish it. Time has bestowed a quiet grandeur upon this piece. Its softened edges, textured patina, and minor surface irregularities serve as testaments to its authenticity, each mark a remnant of its lived history. The structure remains sound, preserving the chair’s distinctive silhouette and presence. At once functional and artistic, this chair offers a commanding yet understated presence within interiors that embrace sculptural furniture, material honesty, and conceptual design. Ideal for settings that honor Brutalist minimalism...

A pair of stunning mid-century sculptural French armchairs in wood with caned seating and back, France, 1950s. The seat and backs are made of cane and the simple detailing and craft...

A rare set of two Viennese stacking chairs made of brown stained wood designed by Austrian architect Prof. Karl Schwanzer and manufactured by Thonet in the 1950s. This chair was des...

A René Gabriel daybed of the reconstruction period in the original patina, of note, Is the layered construction of the lower frame that gives the da...