Jacques Hitier Seating

A superb pair of rope and wood cantilever chairs by Frida Minet and Adrien Audoux, 1950s, France. These good examples in original condition, with some wear, marks and signs of age an...

Pair of armchairs with armrests covered in saddle stitched leather by Jacques Adnet, Compagnie des Arts Français. Pair of low armchairs with armrests covered in black saddle stitched...

Dramatic mid-century red mohair sofa that converts to a daybed in a great size. Asymmetric with dog-bone shape, a popular style in the 1950s.

A superb rope and wood cantilever chairs by Frida Minet and Adrien Audoux, 1950s, France. In original condition, with some wear, marks and signs of age and use to the wood rope. Fa...

Italian brass Chiavari chair. New seat cushion upholstered in Lee Jofa louvered maze cut velvet fabric. Overall as found unpolished patina to the solid brass frame.

1950s Danish 3-seat sofa or daybed Lovely 1950s part wood framed sofa in very good condition, it has blanket storage underneath and folds down into a very useful daybed Measure...

A rare set of 2 fibreglass chairs by Rene Jean Caillette. Brown background and multicolour floral pattern. Designed and produced in France between 1950-1959. René-Jean Caillet...

Set of hunting chairs and matching table - 1950s Mid-century hunting chairs set of three made in the 1950s in Sweden. The back of the chairs are made of two deer antlers while the l...

An arresting study of balance and tension, this sculptural chair defies the boundaries of conventional seating. With its woven rattan surface and sinuous iron frame, it evokes both organic fluidity and geometric precision, standing as an artifact of experimental postmodern design. Of Italian provenance and dating to the 1960s, the chair reflects postmodern and Brutalist influences. The interplay of handwoven rattan and blackened iron creates a striking contrast, each material imbued with an inherent honesty that deepens over time. The chair’s composition is a dialogue between weight and weightlessness, structure and softness. The finely woven rattan, marked by the passage of time, bears subtle tonal shifts and a patina that speaks to its authenticity. The iron frame—minimal yet expressive—outlines the form with architectural clarity, emphasizing negative space and sculptural intent. Aged imperfections, from the gentle fraying of the rattan to the darkening of the iron, enrich its character rather than diminish it. Time has bestowed a quiet grandeur upon this piece. Its softened edges, textured patina, and minor surface irregularities serve as testaments to its authenticity, each mark a remnant of its lived history. The structure remains sound, preserving the chair’s distinctive silhouette and presence. At once functional and artistic, this chair offers a commanding yet understated presence within interiors that embrace sculptural furniture, material honesty, and conceptual design. Ideal for settings that honor Brutalist minimalism...

Beautiful vintage Mid-century daybed with clear lines. It was probably manufactured in Germany and dates from the 1950s. The bed is still in very good condition with all springs int...

Mid Century Modern delightful vintage brass Chiavari side chair 1950s, Italy, shows a brass frame and a seat newly covered with green textile fabric. The vintage condition is very go...

Daybed by French designer Jacques Hitier in the 50s Structure in black lacquered metal and patinated oak Mattress with headrest in foam covered by black terry fabric (new)