Jacques Lowe Art

American photographer Leonard Freed enjoyed documentary storytelling and as a "concerned photographer" his photography demonstrated humanitarian concerns. Woman Protestor, March on Washington, 1963 by Leonard Freed, is a 14" x 11" gelatin silver photograph, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is in Leonard Freed's book “This Is the Day: The March on Washington'' (p. 50). The photographer travelled to New York, Washington, D.C., and throughout the South, capturing the daily lives of African-Americans. Documenting the 1960s Civil Rights Movement from the East Coast to the Deep South, Freed’s photo essay culminated in the book Black in White America, which contributed to Freed's becoming a well-known documentary photographer of 20th Century America. After Freed’s death in 2006 his widow, Brigitte Freed was inspired to compile a book on the March on Washington from her late husband’s archive because she heard then-Senator former President Barack Obama remark to an audience of civil rights activists, “I stand here because you walked.” The March on Washington series is a powerful visual testimony, capturing protests that culminated in Dr. Martin Luther King Jr.’s “I Have a Dream'' speech, delivered at the base of the Lincoln Memorial. Provenance: Freed estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

In this seductive black and white photograph the model poses with his back to the camera wearing John Paul Gautier's sheer Tattoo shirt. The artist uses t...

Spectator Tennis (1938) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st December 1938. Spectators watching a tennis match at a country club. Addi...

This photograph features John F Kennedy sitting on the back of a convertible with US Representative George McGovern in what at first glance appears to be a parade route in South Dako...

Punctuated by documentary photo essays such as Black in White America, Fire Hydrant is one of Leonard Freed's most iconic in the Harlem, New York series. Two children enjoy a blissf...

Kate #10, 2002 by Leonard Freed is an 8" x 10" hand printed black and white photograph from his nude series. Signed by the photographer the gelatin silver print is stamped "vintage" ...

Bride, Naples, Italy, 1958 by Leonard Freed is a black and white contemporary photograph, cinematic in nature. A gelatin silver photograph, signed by the photographer, 24" x 20" from the Freed archive. LITERATURE: W. A. Ewing, N. Herschdorfer, and W. van Sinderen, Worldview, Leonard Freed, Steidl, 2007, p. 73 and back cover. Leonard Freed discovered Little Italy in New York...

Kate #13, is from the Kate series, 2002 by American photographer Leonard Freed is a signed, 8" x 10" black and white photograph (gelatin silver), stamped "vintage" on verso (back of ...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Kate #11, 2002 by Leonard Freed is a signed verso (back of photo) 8" x 10" black and white photograph, hand printed, signed by the photographer and stamped "vintage" by the Freed es...

Birmingham Children, 1963 by American photographer Leonard Freed is a 16" x 12" vintage gelatin silver photograph, signed verso (on back) by the photographer. A woman with a flower ...