Jacques-Philippe Le Bas Art

Lovely Georgian giltwood picture frame Carved pine with shallow gesso and gilt Original patina Internally or sight measures 19.25 x 24 inches. 48.5 x 61 cm Free UK shipping

A collection of four art pieces of Swedish 18th century ferns, displayed nicely within custom gold toned wooden frames. This set of framed wall decorat...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscu...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "The New Pupil" *Signed by Soper in pencil lower right Year: 1925 Medium: Original Etching on unbranded white wove paper Limite...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

Color softground etching with aquatint and spitbite aquatint. Edition of 50

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Color softground etching with aquatint and drypoint. Edition of 35

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...

Important, beautiful gilded and carved wooden frame with typical 18th century French motifs Excellent condition Internal dimensions cm 20.8 x 26.8 This artwork, never before on the...

ANDRÉ MASSON – "LA JAMBE DÉGUISÉE" ⚜ Etching with Aquatint ⚜ Hand Signed Lower Right ⚜ Numbered 23/50 ⚜ Conservation Frame SURREAL FIGURATION AND AUTOMATIC LINE Created in 1975, La ...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...