James Auer Art

"Old Room, New Room" - Minimalist Interior Photograph Minimalist photograph of a red wall with a tile floor by Shirley McWilliams (American, 20th ...

Abstract Metal Shape in Rocky Landscape - Esoteric Art Photograph Photo depicting a curved, metallic sculpture resting on a rocky ground by Y. Y. Meru (American b. 1923 d. 2009.) Th...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

A festive crowd exploits a rare snow fall in New York. Colorful people fill the picture in an "All-over" composition as if it were an energenic Jackson Pollock drip and splash pai...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Unique chromoskedasic monoprint on photographic paper 22 x 18 inches framed This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer Birgi...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned, Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Signed dated, numbered 3/15 recto, printed later, unframed, other sizes available, Printed on Hahnemühle Fine Art paper Literature: Cover Modern Photography, January 1981

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Summer Interlude I (Deconstructivism) - 2020 - about the narrative potential of images. 40x40cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 5901. Signa...

Same style different execution. Italian copper leaf and fluorescent thread sewn on Splendorlux Black Gloss

This is a series of photography portraiture of flowers as subject matter. #773 31.5x42" image dimensions - Edition of 10 Archival pigment print Signed and numbered About this se...